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2018 Oscar Predictions: CINEMATOGRAPHY, PRODUCTION DESIGN, COSTUME DESIGN (September)

Blade Runner 2049 continues to top the Cinematography and Production Design charts and Phantom Thread still looms despite not even a single production still or stitch of clothing as evidence of its greatness. It’s an example of a great placeholder where it can change in an instant once we have something tangible to go on. The Shape of Water continues to rise, as it has in virtually every other category and Call Me By Your Name lands in the Cinematography top 5 for the first time. Three Billboards Outside Ebbing, Missouri debuts in Cinematography and Hostiles debuts in the Other Contenders lists for Production Design and Costume Design.

These are the official 2018 Oscar Predictions in Cinematography, Production Design and Costume Design for September from the Gold Rush Gang. Keep an eye on all of the Gold Rush Gang’s 2018 Oscar predictions updated LIVE throughout the month.

Green – moves up from last month
Red – moves down from last month
Blue – debut/new entry

CINEMATOGRAPHY ERIK
ANDERSON
BRYAN BONAFEDE GREG HOWARD EVAN
KOST
JASON OSIASON KENNETH
POLISHCHUK
DENIZCAN SÜRÜCÜ RICHARD
ANTHONY
ŞÜKRÜ SÖĞÜT MATT DINN TOTAL
POINTS
1 Blade Runner 2049 1 1 1 1 1 1 2 2 1 2 97
2 Dunkirk 2 2 2 2 3 2 1 1 2 1 92
3 Shape of Water, The 3 3 4 3 2 4 3 7 3 3 75
4 Darkest Hour 5 4 3 4 5 5 5 3 4 5 67
5 Call Me By Your Name 4 5 8 6 3 7 7 5 6 6 53
6 Wonderstruck 6 10 5 8 3 4 4 5 4 50
7 Lost City of Z, The 8 9 7 7 10 9 8 7 8 26
8 Florida Project, The 7 6 9 9 8 7 20
9 Phantom Thread 7 6 10 9 12
10 mother! 9 9 8 8 10 11
11 Wonder Wheel 6 6 10
12 Breathe 7 9 10 10 10 9
12 Detroit 6 9 9 9
12 Roman J. Israel, Esq. 6 8 10 9
12 Post, The 8 5 9
16 Three Billboards Outside Ebbing, Missouri 10 1
16 Murder on the Orient Express (2017) 10 1
OTHER CONTENDERS
All the Money in the World
Beguiled, The
Current War, The
Downsizing
Get Out
Greatest Showman, The
Goodbye Christopher Robin
Hostiles
Killing of a Sacred Deer, The
Star Wars: The Last Jedi

PRODUCTION DESIGN ERIK
ANDERSON
BRYAN BONAFEDE GREG HOWARD EVAN
KOST
JASON OSIASON KENNETH
POLISHCHUK
DENIZCAN SÜRÜCÜ RICHARD
ANTHONY
ŞÜKRÜ SÖĞÜT MATT DINN TOTAL
POINTS
1 Blade Runner 2049 1 2 1 1 2 1 1 1 1 1 98
2 Darkest Hour 2 5 2 2 5 2 2 2 2 4 82
3 Dunkirk 3 3 4 3 3 3 3 3 3 3 79
3 Shape of Water, The 4 1 3 4 1 4 4 4 4 2 79
5 Greatest Showman, The 5 7 5 5 7 5 6 5 6 6 53
6 Wonderstruck 6 9 9 7 7 6 5 6 5 5 45
7 Phantom Thread 7 4 7 9 4 10 7 7 7 7 41
8 Beauty and the Beast (2017) 6 8 6 7 9 10 8 23
9 Post, The 6 6 8 8 10 9 8 22
9 Star Wars: The Last Jedi 8 8 10 10 9 9 8 8 9 9 22
11 Current War, The 10 10 10 10 4
12 Beguiled, The 8 3
13 Downsizing 9 2
14 Call Me By Your Name 10 1
OTHER CONTENDERS
All the Money in the World
Breathe
Hostiles
Lost City of Z, The
Marshall
Mudbound
Murder on the Orient Express (2017)
Roman J. Israel, Esq.
Wonder Wheel
Wonder Woman

COSTUME DESIGN ERIK
ANDERSON
BRYAN BONAFEDE GREG HOWARD EVAN
KOST
JASON OSIASON KENNETH
POLISHCHUK
DENIZCAN SÜRÜCÜ RICHARD
ANTHONY
ŞÜKRÜ SÖĞÜT MATT DINN TOTAL
POINTS
1 Phantom Thread 1 1 1 3 1 2 3 2 1 1 94
2 Wonderstruck 2 3 9 1 3 1 1 3 2 2 83
3 Darkest Hour 4 2 2 4 2 6 2 1 3 3 81
4 Shape of Water, The 3 5 3 5 4 7 5 8 6 4 60
5 Beauty and the Beast (2017) 5 6 4 2 7 3 4 7 8 5 59
6 Blade Runner 2049 6 4 8 6 6 4 7 6 4 6 53
7 Greatest Showman, The 7 7 5 8 8 5 6 5 5 7 47
8 Victoria and Abdul 8 7 7 5 8 8 4 7 8 37
9 Murder on the Orient Express (2017) 9 6 9 9 10 9 9 16
10 Current War, The 8 9 10 6
10 Post, The 9 10 10 10 10 6
12 Beguiled, The 9 9 4
12 Dunkirk 10 10 10 10 4
OTHER CONTENDERS
All the Money in the World
Breathe
Hostiles
Lost City of Z, The
Marshall
Mudbound
Roman J. Israel, Esq.
Star Wars: The Last Jedi
Suburbicon
Wonder Wheel
Wonder Woman

About Erik Anderson

Erik blames his mother for his love of all things Oscar, having watched them together since he opened his eyes. They also watched Miss Universe religiously every year (the pageantry!) and Erik came to the conclusion that the combination of these two things ultimately led him down the path to obsessing about awards and ACTRESSING. He began at GoldDerby, led by Tom O’Neill and then migrated over to Oscarwatch (now AwardsDaily), headed up by Sasha Stone before breaking off to create AwardsWatch. He is a member of the International Cinephile Society, GALECA (The Society of LGBTQ Entertainment Critics), the International Press Academy and is the founder/owner of AwardsWatch.

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