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2018 Oscar Predictions: PRODUCTION DESIGN and COSTUME DESIGN (December Part 1)

Blade Runner 2049 and Phantom Thread lead the Production Design and Costume Design predictions, respectively, once again and with a stranglehold on those #1 spots.

Dunkirk and Darkest Hour swap places and Downsizing is the month’s sole debut in Production Design. Costume Design has even less change, with Wonder Woman inching up and Murder on the Orient Express inching down.

2018 Oscar Predictions (December Part 1): BEST PICTURE | BEST DIRECTOR BEST ACTOR BEST ACTRESS SUPPORTING ACTOR SUPPORTING ACTRESS THE SCREENPLAYS ANIMATED FEATURE FOREIGN LANGUAGE FILM | FILM EDITING and CINEMATOGRAPHY

Here are the official 2018 Oscar Predictions in Production Design and Costume Design for first half of December from the Gold Rush Gang. Keep an eye on all of the Gold Rush Gang’s 2018 Oscar predictions updated LIVE throughout the month.

Green – moves up from last month
Red – moves down from last month
Blue – debut/new entry

PRODUCTION DESIGN ERIK
ANDERSON
BRYAN BONAFEDE GREG HOWARD EVAN
KOST
JASON OSIASON KENNETH
POLISHCHUK
DENIZCAN SÜRÜCÜ RICHARD
ANTHONY
ŞÜKRÜ SÖĞÜT MATT DINN TOTAL
POINTS
1 Blade Runner 2049 1 1 1 1 1 1 1 1 1 2 99
2 The Shape of Water 2 2 3 2 2 2 2 2 2 1 90
3 Dunkirk 3 3 4 3 3 3 3 5 4 3 76
4 Darkest Hour 4 4 2 4 4 4 4 3 3 4 74
5 Phantom Thread 5 5 5 7 6 6 5 7 5 5 54
6 The Greatest Showman 6 9 7 8 7 10 9 4 6 6 38
7 Beauty and the Beast (2017) 10 7 6 5 5 7 7 8 10 8 37
8 The Post 7 8 6 8 5 6 6 8 10 35
9 Star Wars: The Last Jedi 6 10 10 10 8 8 10 9 9 19
10 Wonderstruck 9 9 9 10 9 7 7 17
11 The Beguiled 8 3
11 Victoria and Abdul 8 3
13 Wonder Wheel 9 2
13 Downsizing 9 2
15 Call Me By Your Name 10 1

OTHER CONTENDERS
All the Money in the World
Hostiles
The Lost City of Z
Marshall
Mudbound
Murder on the Orient Express (2017)
Wonder Woman

COSTUME DESIGN ERIK
ANDERSON
BRYAN BONAFEDE GREG HOWARD EVAN
KOST
JASON OSIASON KENNETH
POLISHCHUK
DENIZCAN SÜRÜCÜ RICHARD
ANTHONY
ŞÜKRÜ SÖĞÜT MATT DINN TOTAL
POINTS
1 Phantom Thread 1 1 1 1 1 1 1 1 1 1 100
2 Darkest Hour 2 4 2 2 2 4 2 2 2 2 86
3 Beauty and the Beast (2017) 5 2 4 3 3 2 3 3 3 3 79
4 Victoria and Abdul 4 3 5 4 4 3 4 6 4 4 69
5 The Shape of Water 3 8 3 5 10 5 5 4 5 6 56
6 Blade Runner 2049 8 7 8 7 7 6 6 9 6 5 41
7 The Greatest Showman 7 6 6 8 5 9 9 5 8 7 40
8 Wonderstruck 6 9 9 6 7 8 7 7 8 32
9 The Post 10 10 10 8 10 7 10 10 9 15
9 Wonder Woman 5 6 8 10 15
11 Murder on the Orient Express (2017) 9 7 9 9 10
12 Dunkirk 10 8 10 5
13 The Beguiled 9 2

OTHER CONTENDERS
All the Money in the World
Hostiles
I, Tonya
The Lost City of Z
Mudbound
Star Wars: The Last Jedi
Wonder Wheel

About Erik Anderson

Erik blames his mother for his love of all things Oscar, having watched them together since he opened his eyes. They also watched Miss Universe religiously every year (the pageantry!) and Erik came to the conclusion that the combination of these two things ultimately led him down the path to obsessing about awards and ACTRESSING. He began at GoldDerby, led by Tom O’Neill and then migrated over to Oscarwatch (now AwardsDaily), headed up by Sasha Stone before breaking off to create AwardsWatch. He is a member of the International Cinephile Society, GALECA (The Society of LGBTQ Entertainment Critics), the International Press Academy and is the founder/owner of AwardsWatch.

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