‘Argylle’ Review: Matthew Vaughn Hacks Up a Furball in Overcomplicated Spy Thriller
Every year, at least one film is ruined by its trailer. Not that its entire plot is revealed (there are plenty of those), but in... Read More
Film Reviews
Retrospective: Worst Picture/Best Picture: ‘Gigli’ and ‘The Lord of the Rings: Return of the King’ (2003)
“The first ten minutes weren’t so bad but then I realized I was in “Finding Nemo”. When I made my way to the right theater-... Read More
Sundance 2024 Reviews: ‘Dìdi (弟弟),’ ‘In the Summers,’ ‘A Real Pain’
In today’s Sundance 2024 review diary I look at three of the festival’s award winners in the U.S. Dramatic section: Sean Wang’s Dìdi (弟弟), which... Read More
‘Little Death’ Review: Separate Storylines Highlight Character Explorations in Jack Begert’s Lingering Debut | Sundance 2024
“No one wants to watch another white guy with problems, not in this climate.” That’s the feedback Martin (David Schwimmer) gets on the film script,... Read More
Sundance 2024 Reviews: ‘Ponyboi,’ ‘Love Me’ and ‘Thelma’
I’ve hit the slopes of Sundance and by slopes I mean the comfort of my living room as the online component of the 2024 Sundance... Read More
‘Handling the Undead’ Review: Return of the Slow Zombies | Sundance 2024
In horror fan circles, one topic always guaranteed to spark heated debate is the matter of “fast zombies” vs. “slow zombies.” For most of cinema... Read More
‘Between the Temples’ Review: Jason Schwartzman and Carol Kane Navigate Religion, Purpose, and Life in Nathan Silver’s Screwball Comedy | Sundance 2024
Ben Gottlieb (Jason Schwartzman) is a cantor at a temple, but he’s hardly the best fit for his job at the moment because he just... Read More
‘Freaky Tales’ Review: Anna Boden and Ryan Fleck Deliver An Epic Sampling of Violence and Victory in a Supercharged Oakland | Sundance 2024
It’s 1987 in Oakland. Friends emerge from the movie theater discussing what they just saw and are immediately confronted by whistles and insults from a... Read More
‘Exhibiting Forgiveness’ Review: André Holland and John Earl Jelks Powerfully Delve into the Complexities of Father-Son Trauma in Titus Kaphar’s Poignant Feature Debut | Sundance 2024
Tarrell (André Holland) is a loving father to his young son Jermaine (Daniel Berrier) and a loyal husband to his wife Aisha (Andra Day). When... Read More
‘A Different Man’ Review: Impressive Performances from Sebastian Stan and Adam Pearson Highlight Aaron Schimberg’s Thought-Provoking Look at the Masks We All Wear | Sundance 2024
Edward (Sebastian Stan) lives a quiet life in an apartment building that’s falling apart. His face is highly disfigured, and while he acknowledges a childhood... Read More
11th Chicago Critics Film Festival Lineup: ‘Sing Sing,’ ‘Thelma,’ Babes,’ ‘Cuckoo’ and More 
AwardsWatch Podcast Ep. 227: ‘Civil War’ Review, the Cannes Lineup, Our Favorite Political and Journalism Thrillers 
‘Back to Black’ Review: You Know That This Amy Winehouse Biopic is No Good 
2024 Writers Guild of America (WGA) Awards: ‘American Fiction,’ ‘The Holdovers,’ ‘Succession’ are Top Winners
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