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2018 Cannes: Ursula Meier is President of the Jury of the Caméra d’or

Ursula Meier © Raphael Zubler

This year’s Caméra d’or Jury will be headed by a representative of the new generation of filmmakers. Along with six fellow professionals, the Swiss filmmaker Ursula Meier will select the best first film presented in the Official Selection, the Semaine de la Critique and the Directors’ Fortnight.

Ursula Meier is a filmmaker who questions the very need to film. This undoubtedly explains her compact and exciting filmography, which includes 5 short films, 2 works for television, 2 documentaries and 2 feature films for cinema. Inventive strokes of brilliance, each of them has been upsetting the apple cart with a fresh take and establishing her definitively on the European scene. Since 1994, Ursula Meier has compiled a bold cinematography that emphasises the complexity of the world.

An unconditional admirer of Wanda (Barbara Loden) and Sweetie (Jane Campion), Meier decided to take up directing after discovering Money (Robert Bresson). She then became assistant director to a major figure in Swiss cinema, Alain Tanner, with Fourbi (1996). She who claims to be fascinated by the notion of no man’s land has built her imagination there, and manages to reach out to buried areas of human nature, filming with tenderness, without pathos or judgment, characters who are guided by a powerful survival instinct. In 2014, she participated in the film Bridges of Sarajevo, a collective work by 13 European filmmakers, presented at Cannes in the Official Selection.

A first film is the place of all possibilities, of all audacity, of all risk-taking, of all madness.

Her films for cinema – Home (2008) and Sister (2012, winner of the Silver Bear at the Berlinale) – are internationally acclaimed for their original angle and writing. Radical and poetic, the first is a fable shot with pale light and warm photography. The second is a modern tale in the form of a sober and poignant family chronicle.

A first film,” says the newly appointed President, “is the place of all possibilities, of all audacity, of all risk-taking, of all madness. It is often said that you should not put everything into a first film but the opposite is true, you should put in exactly that – everything – just as you should put everything into every film while always preserving deep within yourself that original, vital, brutal, wild desire of the first time. What immense excitement and joy to discover all these films!

Ursula Meier and her jury will present the Caméra d’or award at the Closing Ceremony of the Festival de Cannes on Saturday, 19th May.

The winning film will succeed Léonor Serraille’s Montparnasse Bienvenüe, presented in the Official Selection – Un Certain Regard last year.

About Erik Anderson

Erik thanks his mother for his love of all things Oscar, having watched the Academy Awards together since he was in the single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself at GoldDerby, led by Tom O’Neill and then migrated over to Oscarwatch (now AwardsDaily), headed up by Sasha Stone before breaking off to create AwardsWatch. He is a member of the International Cinephile Society, GALECA (The Society of LGBTQ Entertainment Critics), the International Press Academy and is the founder/owner of AwardsWatch.

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