Home / Awards / Cinema Audio Society (CAS) nominations: ‘Black Panther,’ ‘First Man,’ ‘Ozark,’ ‘Mrs. Maisel’ and more

Cinema Audio Society (CAS) nominations: ‘Black Panther,’ ‘First Man,’ ‘Ozark,’ ‘Mrs. Maisel’ and more

The Cinema Audio Society (CAS) has announced its nominations for outstanding sound mixing in motion pictures and television.

In Motion Picture, the nominees were: Black Panther, Bohemian Rhapsody, First Man, A Quiet Place and A Star Is Born.

A Star Is Born continues its reign as the only film to hit every industry and guild so far.

If you’re looking for Oscar correlation, the last time CAS and Oscar’s Sound Mixing matched up 5/5 was 2003. Since 2009, these films were CAS-nominated and then Oscar snubbed: Wonder Woman, Doctor Strange, Sully, The Hateful Eight, Guardians of the Galaxy, Iron Man 3, The Hobbit: An Unexpected Journey, Zero Dark Thirty, Hanna, Pirates of the Caribbean: On Stranger Tides, Super 8, Black Swan, Shutter Island and District 9..

The film nominated instead were: Blade Runner 2049, Arrival, 13 Hours, The Revenant, Whiplash (Oscar winner), The Hobbit, Argo (Best Picture winner), Life of Pi, Girl with the Dragon Tattoo, Transformers 3, War Horse, The King’s Speech (Best Picture winner), True Grit, and Inglourious Basterds.

In Television, we have The Marvelous Mrs. Maisel, Ballers, Ozark, Mozart in the Jungle and Westworld among the nominees.

Winners of the 55th annual CAS Awards on Saturday, February 16th. Here is the complete list of nominations.

MOTION PICTURE – LIVE ACTION

Black Panther
Production Mixer: Peter Devlin, CAS
Re-recording Mixer: Steven Boeddeker
Re-recording Mixer: Brandon Proctor
Scoring Mixer: Christopher Fogel, CAS
ADR Mixer: Doc Kane, CAS
Foley Mixer: Scott Curtis

Bohemian Rhapsody
Production Mixer: John Casali
Re-recording Mixer: Paul Massey
Re-recording Mixer: Tim Cavagin
Re-recording Mixer: Niv Adiri, CAS

First Man
Production Mixer: Mary H. Ellis, CAS
Re-recording Mixer: Jon Taylor, CAS
Re-recording Mixer: Frank A. Montaño
Scoring Mixer: Ai-Ling Lee, CAS
ADR Mixer: Thomas J. O’Connell
Foley Mixer: Richard Duarte

A Quiet Place
Production Mixer: Michael Barosky
Re-recording Mixer: Brandon Proctor
Re-recording Mixer: Michael Barry, CAS
Scoring Mixer: Tyson Lozensky
ADR Mixer: Bob Lacivita
Foley Mixer: Peter Persuad, CAS

A Star is Born
Production Mixer: Steven A. Morrow, CAS
Re-recording Mixer: Tom Ozanich
Re-recording Mixer: Dean Zupancic
Scoring Mixer: Jason Ruder
ADR Mixer: Thomas O’Connell
Foley Mixers: Richard Duarte

MOTION PICTURE – ANIMATED

Dr. Seuss’ The Grinch
Original Dialogue Mixer: Michael Miller, CAS
Re-recording Mixer: Gary A. Rizzo, CAS
Re-recording Mixer: Juan Peralta
Scoring Mixer: Noah Scot Snyder
Foley Mixer: Blake Collins, CAS

Incredibles 2
Original Dialogue Mixer: Vince Caro, CAS
Re-recording Mixer: Michael Semanick, CAS
Re-recording Mixer: Nathan Nance
Scoring Mixer: Joel Iwataki
Foley Mixer: Scott Curtis

Isle of Dogs
Original Dialogue Mixer: Darrin Moore
Re-recording Mixer: Christopher Scarabosio
Re-recording Mixer: Wayne Lemmer
Scoring Mixer: Xavier Forcioli
Scoring Mixer: Simon Rhodes
Foley Mixer: Peter Persaud, CAS

Ralph Breaks the Internet
Original Dialogue Mixer / Re-recording Mixer: Gabriel Guy, CAS
Re-recording Mixer: David E. Fluhr, CAS
Re-recording Mixer: Alan Meyerson, CAS
ADR Mixer: Doc Kane, CAS
Foley Mixer: Scott Curtis

Spider-Man: Into the Spider-Verse
Original Dialogue Mixers: Brian Smith, Aaron Hasson, Howard London, CAS
Re-recording Mixer: Michael Semanick, CAS
Re-recording Mixer: Tony Lamberti, CAS
Scoring Mixer: Sam Okell
Foley Mixer: Randy K. Singer, CAS

MOTION PICTURE – DOCUMENTARY

Fahrenheit 11/9
Production Mixer: Mark Ray
Re-recording Mixer: Andy Kris
Re-recording Mixer: Lee Salevan
Re-recording Mixer: Skip Lievsay, CAS

Free Solo
Production Mixer: Jim Hurst
Re-recording Mixer: Tom Fleischman, CAS
Re-recording Mixer: Ric Schnupp
Scoring Mixer: Tyson Lozensky
ADR Mixer: David Boulton
Foley Mixer: Joana Niza Braga

Quincy
Production Mixer: Al Hicks
Re-recording Mixer: Jonathan Wales, CAS

They’ll Love Me When I’m Dead
Production Mixer: Rob Filmore, CAS
Re-recording Mixer: Brian Riordan, CAS

Won’t You Be My Neighbor?
Re-recording Mixer: Pete Horner
Re-recording Mixer: Jeff King

TELEVISION SERIES – 1 HOUR

Better Call Saul – “Talk”
Production Mixer: Phillip W. Palmer, CAS
Re-recording Mixer: Larry B. Benjamin, CAS
Re-recording Mixer: Kevin Valentine
ADR Mixer: Chris Navarro, CAS
Foley Mixer: Stacey Michaels

Ozark – “The Badger”
Production Mixer: Felipe Borrero, CAS
Re-recording Mixer: Larry B. Benjamin, CAS
Re-recording Mixer: Kevin Valentine
Scoring Mixer: Phillip McGowan, CAS
ADR Mixer: Matt Hovland
Foley Mixer: David Torres, CAS

The Handmaid’s Tale – “Holly”
Production Mixer: Sylvain Arseneault, CAS
Re-recording Mixer: Lou Solakofski
Re-recording Mixer: Joe Morrow
Scoring Mixer: Adam Taylor
ADR Mixer: Mark DeSimone, CAS
Foley Mixer: Jack Heeren

“The Marvelous Mrs. Maisel” – “Vote for Kennedy, Vote for Kennedy”
Production Mixer: Mathew Price, CAS
Re-recording Mixer: Ron Bochar, CAS
Re-recording Mixer: Michael Miller, CAS
ADR Mixer: David Boulton
Foley Mixer: Steven Visscher

Westworld – “The Passenger”
Production Mixers: Geoffrey Patterson, CAS, Roger V. Stevenson, CAS
Re-recording Mixer: Keith Rogers, CAS
Re-recording Mixer: Andy King, CAS
ADR Mixer: Michael Botha
Foley Mixer: Michael Head

TELEVISION SERIES – 1/2 HOUR

Ballers – “The Kids Are Alright”
Production Mixer: Scott Harber, CAS
Re-recording Mixer: Michael Colomby, CAS
Re-recording Mixer: Richard Weingart, CAS
ADR Mixer: Michael Miller, CAS
Foley Mixer: James Howe

Barry – “Chapter Seven: Loud, Fast, and Keep Going”
Production Mixer: Benjamin A. Patrick, CAS
Re-recording Mixer: Elmo Ponsdomenech, CAS
Re-recording Mixer: Todd Beckett, CAS
Scoring Mixer: David Wingo
ADR Mixer: Aaron Hasson
Foley Mixer: John Sanacore, CAS

Modern Family – “Did the Chicken Cross the Road?”
Production Mixer: Stephen A. Tibbo, CAS
Re-recording Mixer: Dean Okrand, CAS
Re-recording Mixer: Brian R. Harman, CAS
ADR Mixer: Matt Hovland
Foley Mixer: David Torres, CAS

Mozart in the Jungle – “Domo Arigato”
Production Mixer: Ryotaro Harada
Re-recording Mixer: Andy D’Addario
Re-recording Mixer: Chris Jacobson, CAS
ADR Mixer: Patrick Christensen
Foley Mixer: Gary DeLeone

Silicon Valley – “Fifty-One Percent”
Production Mixer: Benjamin A. Patrick, CAS
Re-recording Mixer: Elmo Ponsdomenech, CAS
Re-recording Mixer: Todd Beckett, CAS
Scoring Mixer: Oren Hadar
ADR Mixer: Aaron Hasson
Foley Mixer: Aran Tanchum

TELEVISION MOVIE or LIMITED SERIES

The Assassination of Gianni Versace: American Crime Story – “Part 1: The Man Who Would Be Vogue”
Production Mixer: John Bauman, CAS
Re-recording Mixer: Joe Earle, CAS
Re-recording Mixer: Doug Andham, CAS
ADR Mixer: Judah Getz, CAS
Foley Mixer: Arno Stephanian

Escape at Dannemora – “Episode 101”
Production Mixer: Thomas Nelson, CAS
Re-recording Mixer: Bob Chefalas
Re-recording Mixer: Jacob Ribicoff
Scoring Mixer: John Chapman
ADR Mixer: Kris Chevannes
Foley Mixer: George Lara

Fahrenheit 451
Production Mixer: Henry Embry, CAS
Re-recording Mixer: Tom Fleischman, CAS
Re-recording Mixer: Jacob Ribicoff
ADR Mixer: Mark DeSimone, CAS
Foley Mixer: George A. Lara, CAS

Genius: Picasso – “Chapter 1”
Production Mixer: Tamás Csaba, CAS
Re-recording Mixer: Bob Bronow, CAS
Re-recording Mixer: Mark Hensley
ADR Mixer: Beau Emory
ADR Mixer: Matt Hovland

The Romanoffs – “House of Special Purpose”
Production Mixer: Mark Weber, CAS
Re-recording Mixer: Larry Benjamin, CAS
Re-recording Mixer: Kevin Valentine
ADR Mixer: Chris Navarro, CAS
ADR Mixer: Michael Miller, CAS
Foley Mixer – David Jobe, CAS

TELEVISION NON-FICTION, VARIETY or MUSIC SERIES or SPECIALS

Anthony Bourdain: Parts Unknown – “Bhutan”
Re-Recording Mixer: Benny Mouthon, CAS

Carpool Karaoke – “Primetime Special 2018”
Production Mixer: William B. Kaplan, CAS
Production Mixer: Scott Smolev
Production Mixer: Tim Murphy
Foldback Mixer: Chris Maddalone
Scoring Mixer: Otto Svoboda

Deadliest Catch – “Last Damn Arctic Storm”
Re-Recording Mixer: Bob Bronow, CAS

Jesus Christ Superstar Live in Concert
Production Mixer: Tom Holmes
Re-recording Mixer: Brian Flanzbaum
Re-recording Mixer: Christian Schrader
Re-Recording Mixer: Ellen Fitton
Scoring Mixer: John Harris
ADR Mixer: Anthony Lalumia

The Late Show with Stephen Colbert
Production Mixer: Pierre DeLaforcade
FoH Mixer: Tom Herman
Monitor Mixer: Al Bonomo
Scoring Mixer: Harvey Goldberg

OUTSTANDING PRODUCT – PRODUCTION

Aaton: Cantaress
Dan Dugan Sound Design: Dugan Automixing in Sound Devices 633 Compact Mixer
Denecke, Inc.: JB-1 Compact Timecode Generator
Lectrosonics: SMWB Series Wideband Transmitter
Sound Devices: A10 Digital Wireless System

OUTSTANDING PRODUCT – POST PRODUCTION

Audionamix: IDC (Instant Dialog Cleaner)
Exponential Audio: Stratus 3D and Symphony 3D Reverbs
iZotope, Inc.: RX 7
Sound Particles: Doppler + Air
Todd-AO: Absentia DX

About Erik Anderson

Erik thanks his mother for his love of all things Oscar, having watched the Academy Awards together since he was in the single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself at GoldDerby, led by Tom O’Neill and then migrated over to Oscarwatch (now AwardsDaily), headed up by Sasha Stone before breaking off to create AwardsWatch. He is a member of the International Cinephile Society, GALECA (The Society of LGBTQ Entertainment Critics), the International Press Academy and is the founder/owner of AwardsWatch.

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