2023 Oscar Predictions: COSTUME DESIGN (November)


Here are my 2023 Oscar predictions in Costume Design for November.

Green – moves up ↑ Red – moves down ↓ Blue – new entry 

1. Elvis – Catherine Martin (Warner Bros)
2. Living – Sandy Powell (Sony Pictures Classics)
3. Black Panther: Wakanda Forever – Ruth E. Carter (Marvel Studios)
4. Mrs. Harris Goes to Paris – Jenny Beavan (Focus Features)
5. Babylon – Mary Zophres (Paramount Pictures)

6. The Fabelmans – Mark Bridges (Universal Pictures)
7. The Woman King – Gersha Phillips (Sony/TriStar Pictures)
8. Till – Marci Rodgers (UAR)
9. Corsage – Monika Buttinger (IFC Films)
10. The Batman – Jacqueline Durran (Warner Bros)

Other contenders (alphabetical)

All Quiet on the Western Front – Lisy Christl (Netflix)
Amsterdam – J.R. Hawbaker and Albert Wolsky (20th Century Studios)
The Banshees of Inisherin – Eimer Ni Mhaoldomhnaigh (Searchlight Pictures)
Bardo, or False Chronicle of a Handful of Truths – Anna Terrazas (Netflix)
Blonde – Jennifer Johnson (Netflix)
Death on the Nile – Paco Delgado (20th Century Studios)
Downton Abbey: A New Era – Maja Meschede and Anna Robbins (Focus Features)
Empire of Light – Alexandra Byrne (Searchlight Pictures)
Everything Everywhere All at Once – Shirley Kurata (A24)
Fantastic Beasts: The Secrets of Dumbledore – Colleen Atwood (Warner Bros)
I Wanna Dance with Somebody – Charles Antoinette Jones (Columbia Pictures)
Lady Chatterley’s Lover – Emma Fryer (Netflix)
The Northman – Linda Muir (Focus Features)
Three Thousand Years of Longing – Kym Barrett (MGM)
White Noise – Ann Roth (Netflix)
Women Talking – Quita Alfred (UAR/Orion Pictures)
The Wonder – Odile Dicks-Mireaux (Netflix)

Photo: Dávid Lukács / 2021 Ada Films Ltd – Harris Squared Kft

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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