‘Blade Runner 2049,’ ‘Logan,’ ‘Shape of Water’ Top 2018 Art Directors Guild (ADG) Awards

Published by
Share

The Art Directors Guild (ADG, IATSE Local 800) hands out its 22nd awards for Production Design multiple categories for Feature Film, Television and Short Form Media.

In the top film categories, The Shape of Water won Period Film, Logan won Contemporary Film and Blade Runner 2049 won Fantasy Film. Coco won for Animated Film, the first year of the category.

Last year, the winners were Hidden Figures (Period), La La Land (Contemporary), and Passengers (Fantasy). La La Land won the Oscar for Production Design. This year, Oscar’s Production Design nominees are: Beauty and the Beast, Blade Runner 2049, Darkest Hour, Dunkirk and The Shape of Water.

The winners at ADG match up with Oscar about 2/3 of the time and almost entirely in the Period or Fantasy categories (save La La Land’s contemporary win last year) so the Oscar race should come down to Paul Austerberry for The Shape of Water and Dennis Gassner for Blade Runner 2049. The Shape of Water is Austerberry’s first Oscar nomination; Blade Runner 2049 is Gassner’s 6th. He won once, for 1991’s Bugsy.

Here is the full list of nominees and winners in all categories.

FEATURE FILM

PERIOD FILM

DARKEST HOUR
Production Designer: SARAH GREENWOOD
DUNKIRK
Production Designer: NATHAN CROWLEY
MURDER ON THE ORIENT EXPRESS
Production Designer: JIM CLAY
THE POST
Production Designer: RICK CARTER
THE SHAPE OF WATER – WINNER
Production Designer: PAUL DENHAM AUSTERBERRY

FANTASY FILM

BEAUTY AND THE BEAST
Production Designer: SARAH GREENWOOD
BLADE RUNNER 2049 – WINNER
Production Designer: DENNIS GASSNER
STAR WARS: THE LAST JEDI
Production Designer: RICK HEINRICHS
WAR FOR THE PLANET OF THE APES
Production Designer: JAMES CHINLUND
WONDER WOMAN
Production Designer: ALINE BONETTO

CONTEMPORARY FILM

DOWNSIZING
Production Designer: STEFANIA CELLA
GET OUT
Production Designer: RUSTY SMITH
LADY BIRD
Production Designer: CHRIS JONES
LOGAN – WINNER
Production Designer: FRANÇOIS AUDOUY
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Production Designer: INBAL WEINBERG

ANIMATED FILM

CARS 3
Production Designers: WILLIAM CONE, JAY SHUSTER
COCO – WINNER
Production Designer: HARLEY JESSUP
DESPICABLE ME 3
Art Director: OLIVIER ADAM
THE LEGO BATMAN MOVIE
Production Designer: GRANT FRECKELTON
LOVING VINCENT
Production Designer: MATTHEW BUTTON

TELEVISION

ONE-HOUR PERIOD OR FANTASY SINGLE-CAMERA SERIES

A SERIES OF UNFORTUNATE EVENTS: “The Bad Beginning: Part One,” “The Reptile Room: Part One,” “The Wide Window: Part One”
Production Designer: BO WELCH
THE CROWN: “A Company of Men,” “Beryl,” “Dear Mrs. Kennedy”
Production Designer: MARTIN CHILDS
GAME OF THRONES: “Dragonstone,” “The Queen`s Justice,” “Eastwatch” – WINNER
Production Designer: DEBORAH RILEY
MINDHUNTER: “S1:E1,” “S1:E4,” “S1:E9”
Production Designer: STEVE ARNOLD
STRANGER THINGS: “Chapter Six: The Spy,” “Chapter Eight: The Mind Flayer,” “Chapter Nine: The Gate”
Production Designer: CHRIS TRUJILLO

ONE-HOUR CONTEMPORARY SINGLE-CAMERA SERIES

AMERICAN GODS: “The Bone Orchard,” “The Secret of Spoons,” “Head Full of Snow”
Production Designer: PATTI PODESTA
THE HANDMAID’S TALE: “Pilot, Offred,” “Birth Day,” “Nolite Te Bastardes Carborundorum” – WINNER
Production Designer: JULIE BERGHOFF
THE HANDMAID’S TALE: “The Bridge”
Production Designer: ANDREW STEARN
MR. ROBOT: “eps3.0_power-saver-mode.h,” “eps3.1_undo.gz,” “eps3.2_legacy.so”
Production Designer: ANASTASIA WHITE
TWIN PEAKS: “Ep. 1: Part 1,” “Ep. 8: Part 8,” “Ep. 15: Part 15”
Production Designer: RUTH DE JONG

TELEVISION MOVIE OR LIMITED SERIES

AMERICAN HORROR STORY: CULT: “Election Night,” “Winter of Our Discontent”
Production Designer: JEFF MOSSA
BIG LITTLE LIES: “Somebody`s Dead,” “Living the Dream,” “You Get What You Need”
Production Designer: JOHN PAINO
BLACK MIRROR: “USS Callister” – WINNER
Production Designer: JOEL COLLINS
FARGO: “The Narrow Escape Problem,” “The Law of Inevitability,” “Who Rules the Land of Denial?”
Production Designer: ELISABETH WILLIAMS
FEUD: BETTE AND JOAN: “Pilot,” “And the Winner is…,” “You Mean All This Time We Could Have Been Friends?”
Production Designer: JUDY BECKER

HALF HOUR SINGLE-CAMERA SERIES

FUTURE MAN: “Pandora’s Mailbox,” “Beyond The Truffledome,” “A Date With Destiny”
Production Designer: JESSICA KENDER
GLOW: “Pilot,” “The Wrath of Kuntar,” “The Dusty Spur” – WINNER
Production Designer: TODD FJELSTED
MASTER OF NONE: “Le Nozze,” “Thanksgiving,” “Amarsi Un Po”
Production Designer: AMY WILLIAMS
SILICON VALLEY: “Hooli-Con,” “Server Error”
Production Designer: RICHARD TOYON
VEEP: “Omaha”
Production Designer: JIM GLOSTER

MULTI-CAMERA SERIES

9JKL: “Pilot,” “Lovers Getaway,” “Set Visit”
Production Designer: STEPHAN OLSON
THE BIG BANG THEORY: “The Romance Recalibration,” “The Separation Agitation,” “The Explosion Implosion”
Production Designer: JOHN SHAFFNER
THE RANCH: “My Best Friend,” “Last Dollar (Fly Away),” “Wrapped Up in You”
Production Designer: JOHN SHAFFNER
SUPERIOR DONUTS: “Pilot,” “Crime Time,” “Arthur`s Day Off”
Production Designer: STEPHAN OLSON
WILL & GRACE: “Eleven Years Later,” “A Gay Olde Christmas” – WINNER
Production Designer: GLENDA ROVELLO

SHORT FORMAT: WEB SERIES, MUSIC VIDEO OR COMMERCIAL

APPLE: “Bulbs”
Production Designer: JAMES CHINLUND
CHANEL: “Gabrielle”
Production Designer: SHANE VALENTINO
KATY PERRY: “Bon Appétit”
Production Designer: NATALIE GROCE
NIKE: “Equality”
Production Designer: RUTH DE JONG
STAR WARS BATTLEFRONT II: “Rivalry / PS4” – WINNER
Production Designer: JASON EDMONDS

VARIETY OR COMPETITION/AWARDS OR EVENT SPECIAL

BILL NYE SAVES THE WORLD: “Earth Is A Hot Mess”
Production Designer: JAMES PEARSE CONNELLY
GOLDEN GLOBE AWARDS: “74th Annual”
Production Designer: BRIAN STONESTREET
PORTLANDIA: “Portland Secedes,” “Ants,” “Fred`s Cell Phone Company” – WINNER
Production Designer: SCHUYLER TELLEEN
SATURDAY NIGHT LIVE: “Aziz Ansari + Big Sean,” “Alec Baldwin + Ed Sheeran,” “Larry David + Miley Cyrus”
Production Designers: KEITH IAN RAYWOOD, EUGENE LEE, AKIRA YOSHIMURA, N. JOSEPH DeTULLIO
SUPER BOWL HALFTIME SHOW: “STARRING LADY GAGA”
Production Designer: BRUCE RODGERS

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

Recent Posts

Interview: With the Tennis Romance ‘Challengers,’ Writer Justin Kuritzkes Serves Up the Hottest Film of the Year

Justin Kuritzkes is a bit a renaissance man. He's a songwriter, a novelist, a playwright… Read More

April 23, 2024

84th Peabody Awards Nominations for Documentary, News, Public Service, Radio/Podcast Announced

The Peabody Awards Board of Jurors today announced the 41 nominees for the Documentary, News, Public… Read More

April 23, 2024

2024 Cannes Film Festival: Immersive Program Features Cate Blanchett, Jessica Chastain, Colin Farrell and More

The 77th Festival de Cannes has announced eight projects as a part of the Immersive… Read More

April 23, 2024

‘Boy Kills World’ Review: An Often Hilarious, Weirdly Heartwarming, Violent Dystopia Void of Ideology

Boy Kills World (2024) occurs in an authoritarian dystopian region that the Van Der Koy… Read More

April 23, 2024

2025 Oscars: Original Score Shortlist Increased, Drive-Ins Removed from Theatrical Eligibility, New Screenplay Submission Requirement and More

The Academy of Motion Picture Arts and Sciences (AMPAS) announced today updated rules for the… Read More

April 22, 2024

AwardsWatch Podcast Ep. 228: 2024 Summer Box Office Draft

On episode 228 of the AwardsWatch podcast, it's a full house as Editor-In-Chief Erik Anderson… Read More

April 22, 2024

This website uses cookies.