2016 National Board of Review (NBR) Predictions: Manchester, Moonlight, La La Land in the Mix

Erik Anderson November 28, 2016

[divider style=”solid” top=”20″ bottom=”20″]

The National Board of Review (NBR) is often considered the true kick-off of the awards season that leads us up to the Oscars. While other awards bodies and critics groups jostle and move their dates around to position themselves as the ‘tastemakers’ of the race, the NBR is the oldest and longest-running organization to give out film awards, even preceding the creation of the Academy Awards. They began in 1909 and consist not simply of film critics like other groups but also film historians, enthusiasts, academics and students.

In following and tracking the various and many awards bodies every Oscar season we try and find clues as to where they’ll go year to year. Everything from the timing of a film screening to proven biases of certain filmmakers or actors can often help guide us to predictions. The National Board of Review is a bit infamous for its affection of three things; Clint Eastwood, George Clooney, and Warner Bros. They have consistently rewarded those three with startling regularity, especially in years when no other awards body does. This year, we have two of those to consider – Clint Eastwood’s Sully (and its stars) and Warner Bros, which has Sully and Live by Night. Now, it’s not exactly a hard and fast rule to simply plug in Sully or Warner Bros this year for the sake of doing so but as you’ll see in my predictions, there are definitely areas where it could happen tomorrow.

I think the Best Film from NBR is most likely to come from one of three possibilities: La La Land, Manchester by the Sea or Moonlight. That isn’t to say that something like Hell or High Water won’t surprise. Since 2000, their Best Film winner has gone onto a Best Picture Oscar nomination or win in all years except two: 2000 (Quills) and 2014 (A Most Violent Year). That’s a really good track record. 2014 was a really exceptional year in that A Most Violent Year became the first NBR Best Film winner in over 60 years to not earn a single Oscar nomination. Quills, while it wasn’t nominated for Best Picture, managed three nominations, including Best Actor for Geoffrey Rush.

The Best Supporting Actress category here saw quite a curse recently when four winners in a row, from 2011-2014, all failed to earn Oscar nominations after winning here. Jennifer Jason Leigh (The Hateful Eight) broke that curse last year. That being said, I’m going out on a limb just a bit and thinking the curse will return with a win for Molly Shannon in Other People. I’m also going to, in both Supporting categories, predict dual wins for both Laura Linney (Sully and Nocturnal Animals) and Aaron Eckhart (Sully and Bleed for This) as my alternates. Best Actress could see Amy Adams winning for a double citation (Arrival and Nocturnal Animals) but I feel pretty good about Natalie Portman in Jackie there, or recent NBR winner Jessica Chastain in Miss Sloane. It seems odd that they would snub La La Land entirely for a singular win so I’m adding Emma Stone there.

In Best Film, I think the NBR will gravitate towards a top 10 (well, top 11, really) that mirrors Oscar quite a bit. It will give them a very diverse group that includes their favorites, Clint Eastwood and Warner Bros, the historical importance of Jackie and Loving, the meat and potatoes filmmaking of Hell or High Water, the cultural diversity of Fences and Moonlight, and of course, the current Oscar Best Picture frontrunner, La La Land. That could easily be their choice here. We know that Silence and Live by Night are the last two films being seen by all awards bodies and that could benefit either or both.

Here are my predictions for tomorrow’s National Board of Review awards with alternates.

Best Film
Winner: Manchester by the Sea

Top Ten Films
01. Hell or High Water
02. Jackie
03. La La Land
04. Lion
05. Live by Night
06. Loving
07. Moonlight
08. Sully
09. Silence
10. Zootopia

Best Foreign Language Film
Winner: Elle
Alternate: Aquarius

Best Documentary
Winner: 13TH
Alternate: Cameraperson

Best Animated Feature
Winner: Zootopia
Alternate: The Red Turtle

Best Actor
Winner: Casey Affleck, Manchester by the Sea
Alternate: Tom Hanks, Sully

Best Actress
Winner: Natalie Portman, Jackie
Alternate: Jessica Chastain, Miss Sloane or Emma Stone, La La Land

Best Supporting Actor
Winner: Mahershala Ali, Moonlight
Alternate: Aaron Eckhart, Sully and Bleed for This

Best Supporting Actress
Winner: Molly Shannon, Other People
Alternate: Laura Linney, Sully and Nocturnal Animals

Best Breakthrough Performance
Winner: Lucas Hedges, Manchester by the Sea
Alternate: Ruth Negga, Loving

Best Ensemble Cast
Winner: Live by Night
Alternate: Moonlight

Best Director
Winner: Barry Jenkins, Moonlight
Alternate: Ben Affleck, Live by Night

Best Directorial Debut
Winner: Garth Davis, Lion
Alternate: Chris Kelly, Other People

Best Original Screenplay
Winner: Manchester by the Sea
Alternate: Moonlight

Best Adapted Screenplay
Winner: Love & Friendship
Alternate: Sully

Author
Recent Posts

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.