Hands grip, thighs clench, leather tightens. Colin (Harry Melling of The Queen’s Gambit and The Ballad of Buster Scruggs) is a parking cop by day and in a... Read More
Reviews
Kogonada has expressed many times that one of the most important elements of any film for him is the sense of place. In every single... Read More
Josephine opens with a POV inside a garage, eyes peering out at Channing Tatum. “Scared doesn’t live here!” he says. It’s a race to hit... Read More
Probably the most exciting part of low-budget horror filmmaking is that the films tend to latch themselves onto one singular gimmick and take it to... Read More
Over the past twenty years, Ethan Hawke has become nearly as much a part of the Sundance culture as Robert Redford himself. From the Before... Read More
The phrase “a love letter to…” has become such a cliché that it is almost meaningless nowadays, and yet, there is no more apt description... Read More
Some comedies are largely accessible, with great performances and a compelling story that not only keeps the laughs going but makes us come back to... Read More
Jay Duplass’s latest feature, See You When I See You, feels light-years removed from the shaggy, conversational looseness that once defined Mumblecore. Where Duplass’s early... Read More
Andrew Stanton’s career at Pixar once unfolded with the clean inevitability of a well-told parable. He directed A Bug’s Life, Finding Nemo, and WALL•E—films that... Read More
The Sundance Film Festival has long been a place for emerging filmmakers to introduce themselves and their stories to friendly crowds who love quirky, weird... Read More

‘Pillion’ Review: Alexander Skarsgård Puts the Dom in Domesticity [A-]
‘zi’ Review: Kogonada’s Latest is a Return to Minimalism But Frustratingly Unfocused [C+] Sundance
‘Josephine’ Review: A Remarkable Debut from Mason Reeves Helps Keep a Brutal Story Afloat [B-] | Sundance
‘Undertone’ Review: This Pod Means Death in Ian Tuason’s Paranormal Aural Creeper [B+] | Sundance
‘The Weight’ Review: Ethan Hawke is Ever-Reliable in Tension-Free, Depression Era Actioner [B-] | Sundance
‘The Only Living Pickpocket in New York’ Review: John Turturro is Wonderful as a Timeless Anti-Hero with a 1970s Vibe [A-] | Sundance
‘Gail Daughtry and the Celebrity Sex Pass’ Review: We’re Not in Kansas Anymore, Jon Hamm [C+] | Sundance
‘See You When I See You’ Review: Jay Duplass’s Overly Careful Tale of Family Grief Remains at Arm’s Length [C+] | Sundance
‘In the Blink of an Eye’ Review: Andrew Stanton’s Feature Film Return is an Epic, Triptych Timeline Stunner [A] | Sundance
‘Wicker’ Review: Olivia Colman Makes a Real Boy Out of Alexander Skarsgård in Fun, Bawdy Fable [B+] | Sundance
Society of Composers and Lyricists (SCL) Winners: ‘KPop Demon Hunters,’ ‘Sinners,’ ‘Train Dreams’ and More
‘Pillion’ Review: Alexander Skarsgård Puts the Dom in Domesticity [A-]
Australian Academy Award Winners (AACTA): ‘One Battle After Another,’ ‘Bring Her Back’ Lead
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)