It’s July 2004 on the sunny Atlantic coast of Spain, in the city of Vigo, Galicia, the gateway to the Cíes Islands. Eighteen-year-old Marina (Llúcia... Read More
Reviews
Few themes have been as beat to the ground in contemporary cinema as family-induced pains. Be it horror allegories, genre-spanning adventures, or prestige dramas, tales... Read More
Black Zombie (Dir. Maya Annik Bedward) Zombies have been used in nearly a century’s worth of cinema in arguably more varied ways than any other... Read More
It’s been 20 years since Andy Sachs walked into Miranda Priestley’s office looking like a bargain version of Diane Keaton and walked out, throwing her... Read More
With the 69th San Francisco International Film Festival underway, what better way to get a taste of its program than with some capsule reviews of... Read More
It doesn’t matter whether you call writer-director Macon Blair’s raucous new comedy by its festival-circuit title, The Shitheads, or its cleaner, more marketable new name,... Read More
The beauty of the horror genre is not only in creating thrilling visuals that test your body’s fight-or-flight response, but also in how it tackles... Read More
“I know I cast a big shadow, even within these four walls.” Every victim in a prolonged cycle of abuse knows the ever-present dread, the... Read More
It is often said that the sleek, disposable, experience-first superhero blockbusters that have flooded movie theaters for the last two decades are akin to amusement... Read More
Lee Cronin has literally made quite a name for himself. Just seven years since his debut feature The Hole in the Ground premiered at Sundance,... Read More

‘Romería’ Review: Carla Simón’s Restrained Coming-of-Age Tale Opens Up the Doors of History and Cinema [B+] Atlanta Film Festival
‘Blue Heron’ Review: Sophy Romvari Immortalizes a Memory in a Profound Act of Courage [A-] (SFFILM)
2026 Chicago Critics Film Festival Reviews: ‘Black Zombie,’ ‘The Last One for the Road,’ ‘Loafers,’ ‘You Had to Be There’
‘The Devil Wears Prada 2’ Review: The Long-Awaited Sequel Proves That Fashion is Always in Vogue [B+]
2026 San Francisco International Film Festival Reviews: ‘Two Pianos,’ ‘If I Go Will They Miss Me,’ ‘Filipiñana,’ ‘Elder Son’ [SFFILM]
‘Idiots’ Review: Dave Franco and O’Shea Jackson Jr. Don’t Feel at Home in This World Anymore [B] Atlanta Film Festival
‘Leviticus’ Review: Adrian Chiarella Conjures a Timely and Biblically Scary Gay Horror Story [A-]
‘Half Man’ Review: Richard Gadd’s Brutal Exploration of Malevolence is an Acting Masterclass from Himself and Jamie Bell [A]
‘Michael’ Review: It’s Bad, It’s Bad (Really, Really Bad) [D]
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]
NEON Charms U.S. Rights to Jeff Nichols’ ‘King Snake’ with Drew Starkey, Margaret Qualley, Michael Shannon
79th Tony Nominations: ‘The Lost Boys,’ ‘Schmigadoon!’ Lead, June Squibb Makes History
Director Sophy Romvari on How Memory Met Fiction on the Path to ‘Blue Heron’ [VIDEO INTERVIEW]
‘Romería’ Review: Carla Simón’s Restrained Coming-of-Age Tale Opens Up the Doors of History and Cinema [B+] Atlanta Film Festival