Review: ‘Emma.’ Period. End of Sentence.
The character of Jane Austen’s Emma has always been a bit of a pain in…
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Reviews
Review: ‘Sonic the Hedgehog’ grabs all the gold rings
Sonic The Hedgehog opens up in theaters this weekend and has the gigantic task of…
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Review: There’s more love to be found in ‘To All The Boys: P.S. I Still Love You’
To All The Boys: P.S. I Still Love You perfectly captures the angst and awkwardness of…
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Review: ‘Birds of Prey’ turns the masculine and feminine on its head
It’s dire cultural commentary that a comic book adaptation like Birds of Prey (And the…
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Review: ‘Birds of Prey’ is no joke, it’s a kick-ass manifesto to an unspoken feminism
Who knew that there was such a need for a sequel to Suicide Squad? The…
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Review: ‘The Lodge’ is traumatically delicious
There’s an exchange in Frank Darabont’s film The Mist where two characters trapped in a supermarket at…
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Sundance Review: Lee Isaac Chung’s ‘Minari’ is a poetic and heartfelt masterwork
One of the joys of minari, mischievous grandmother Soonja (Yuh-Jung Youn) tells her equally impish…
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Sundance Review: Despite good performances ‘The Glorias’ can’t liberate itself from convention
The Glorias, directed by Julie Taymor based on the book “My Life on the Road”…
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Review: ‘Gretel & Hansel’ is a mixed bag of tricks and treats
Alongside American popular culture’s regression into a seemingly single-minded fixation on superhero storytelling and the…
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Review: ‘The Rhythm Section’ is way off beat
Revenge has largely been a male domain in Hollywood, but, lately, there have been plenty…
