“Tell me about a complicated man.” This is the first line written in Emily Wilson’s stellar translation of The Odyssey, Homer’s ancient Greek epic that... Read More
Film Reviews
You wouldn’t necessarily know it, but the Evil Dead franchise has an overarching personality that’s been in perpetual crisis. What began as a no-budget, near-avant-garde... Read More
When Steven Spielberg’s remake of West Side Story was announced, there was immediate skepticism. The 1961 original is one of the most renowned movie musicals... Read More
Few people can remain neutral about the Minions. The blobby, pestering mayhem machines have ruled children’s pop-culture entertainment for the better part of fifteen years... Read More
Angelina Jolie is a special type of movie star. After being one of the biggest box office draws of the 2000s, she’s slowed down significantly... Read More
Adolescence is often an awkward culmination of internal and external forces coming to a head all while trying to maintain some semblance of dignity and... Read More
There’s a certain amount of freedom granted to Supergirl, the film, and the character. Last year’s Superman introduced Kara Zor-El (Milly Alcock) to the world... Read More
For half a century, the nonprofit organization Frameline has championed queer cinema in a mission to connect filmmakers and audiences in the Bay Area and... Read More
Every queer person understands the pains of teenage yearning. In those formative years, who didn’t fall deep into the throes of an all-consuming crush? Who... Read More
Romantic partnerships are rife with stories to tell and emotions to explore. This is why there are endless movies about them. People longing for love,... Read More

‘The Odyssey’ Review: Nolan’s Pen Isn’t as Mighty as the Sword in His Grand and Gorgeous Greek Epic [B]
‘Evil Dead Burn’ Review: Merci à Satan, French Filmmakers Sébastien Vaniček and Florent Bernard are Back to Tearing Apart the Human Body [B+]
‘Moana’ Review: There’s No Telling How Far Disney’s Shameless Remakes Will Go [C-]
‘Minions & Monsters’ Review: Illumination Says “Bello” and “Banana” to Cinéastes with a Chaotic, Haphazard Spoof of Classic Hollywood [C+]
‘Couture’ Review: Angelina Jolie is Coming Apart at the Seams in Alice Winocour’s Underwhelming Fashion House Drama [B-]
‘Iron Boy’ review: Sublime Hand-Painted Watercolors Animate Uplifting Family-Friendly Story Of Growing Pains [B+]
‘Supergirl’ Review: Milly Alcock’s Got Swagger to Spare in a Film That Doesn’t Let Her Take Flight [B-]
Frameline50 Reviews: ‘Drunken Noodles,’ ‘On the Road,’ ‘Sparks,’ ‘Strange River’
‘Girls Like Girls’ Review: Let’s Go, Lesbians, Let’s Go [C+]
‘The Invite’ Review: Who’s Afraid of Olivia Wilde? [A]
Palm Springs International Film Society (PSIFS) Announces Two Awards in Honor of Former Festival Chairman and Philantropist Harold Matzner
Danny Boyle’s ‘Ink’ to Open 83rd Venice Film Festival
Director Watch Ep. 163: ‘Oppenheimer’ (Christopher Nolan, 2023)
2026 Toronto International Film Festival: New Films Starring Cate Blanchett, Mahershala Ali, Margaret Qualley, Naomi Watts Announced for TIFF51