Film Review: ‘Borat 2’ is some good, some no, but more why is here
One of the biggest pitfalls that some critics run into is separating their personal feelings…
Film Reviews
AFI FEST Review: The brilliant ‘Belushi’ captures a complicated artist by those who knew him best
One of the biggest problems with fame, I would imagine, is the sense that, because…
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AFI FEST Review: ‘Sound of Metal’ is thunderous
Writer/director Darius Marder’s new film, The Sound of Metal, explores, quite beautifully and somewhat elegiacally,…
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AFI FEST Review: ‘Whirlybird’ is a fascinating chronicle of the birth of breaking news
I live in Los Angeles, and I can tell you two things are ubiquitous: helicopters…
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AFI FEST Review: ‘I’m Your Woman’ flips the script on your dad’s mob drama
Hollywood, despite its recent struggles, still remains at the forefront of the movement to push…
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Film Review: Even with a unique twist on the classic body swap premise, ‘Freaky’ fails to outrun its clunky and dated shortcomings
The body swap genre has been through the modern-day movie meat grinder. There have been…
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Film Review: Pietro Marcello’s brilliant ‘Martin Eden’ features a breathtaking performance from Luca Marinelli
As we teeter toward the death throes of a civilization choked with the excess of…
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LFF Review: Colin Firth and Stanley Tucci give career-best turns in a champagne ‘Supernova’ in the sky
The most delicate moments of Supernova, the sublime sophomore feature from British director Harry Macqueen,…
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LFF Review: ‘Soul’ is consistently charming even as it treads familiar ground
Despite manufacturing more thankless sequels than original films, Pixar’s name has only become increasingly synonymous…
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NYFF Review: In ‘French Exit,’ Michelle Pfeiffer gives a performance for the ages
I don’t know about you but not being able to see my mother in person…
