2017 Oscars: 145 Films Submitted for Documentary Feature Oscar

Erik Anderson October 29, 2016

2017-oscars-145-documentary-features-submitted-for-oscars — **Gleason, 13TH, O.J.: Made in America and Life, Animated Among 145 Entries for the Documentary Feature Oscar**

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LOS ANGELES, CA – One hundred forty-five features have been submitted for consideration in the Documentary Feature category for the 89th Academy Awards^®.

Over a dozen entries are currently available for streaming on Netflix, including 13th, Amanda Knox, Audrie & Daisy, Colliding Dreams, Hooligan Sparrow and Our Last Tango. Amy, directed by Asif Kapadia, was this year’s Oscar winner.

Check out what the Gold Rush Gang thinks are the top 5 docs making it to the Oscar race right here.

Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. A shortlist of 15 films will be announced in December.

Films submitted in the Documentary Feature category also may qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.

Nominations for the 89th Oscars^® will be announced on Tuesday, January 24, 2017.

The 89th Oscars will be held on Sunday, February 26, 2017, at the Dolby Theatre^® at Hollywood & Highland Center^®in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.

The submitted films, listed in alphabetical order, are:

“The Abolitionists”
“Abortion: Stories Women Tell”
“All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone”
“Almost Holy”
“Amanda Knox”
“Among the Believers”
“Anne Frank Then and Now”
“The Anthropologist”
“Apparition Hill”
“Art Bastard”
“The Ataxian”
“Audrie & Daisy”
“Author: The JT Leroy Story”
“The Bad Kids”
“Be Here Now (The Andy Whitfield Story)”
“The Beatles: Eight Days a Week – The Touring Years”
“A Beautiful Planet”
“Beauty Bites Beast”
“Becoming Mike Nichols”
“Before the Flood”
“Behind Bayonets and Barbed Wire”
“Behind the Cove – The Quiet Japanese Speak Out!”
“Best and Most Beautiful Things”
“The Best Democracy Money Can Buy: A Tale of Billionaires and Ballot Bandits”
“Best Worst Thing That Ever Could Have Happened”
“A Billion Lives”
“Black Women in Medicine”
“Blood on the Mountain”
“Boy 23: The Forgotten Boys of Brazil”
“The Brainwashing of My Dad”
“Bright Lights: Starring Carrie Fisher and Debbie Reynolds”
“By Sidney Lumet”
“The C Word”
“Cameraperson”
“Citizen Soldier”
“City of Gold”
“Class Divide”
“Colliding Dreams”
“Command and Control”
“Dancer”
“Danny Says”
“Defying the Nazis: The Sharps’ War”
“Disturbing the Peace”
“Do Not Resist”
“Don’t Blink – Robert Frank”
“The Eagle Huntress”
“Eat That Question: Frank Zappa in His Own Words”
“Eating You Alive”
“Equal Means Equal”
“Eva Hesse”
“Everything Is Copy – Nora Ephron: Scripted & Unscripted”
“A Family Affair”
“Finding Babel”
“Fire at Sea”
“The First Monday in May”
“Floyd Norman: An Animated Life”
“Francofonia”
“Generation Startup”
“Gimme Danger”
“Gleason”
“Harry & Snowman”
“Hate Rising with Jorge Ramos”
“Holy Hell”
“Hooligan Sparrow”
“How to Let Go of the World and Love All the Things Climate Can’t Change”
“Huntwatch”
“I Am Not Your Negro”
“Indian Point”
“Into the Inferno”
“Iron Moon”
“Ivory. A Crime Story”
“The Ivory Game”
“Jim: The James Foley Story”
“Kate Plays Christine”
“Keepers of the Game”
“Landfill Harmonic”
“The Last Man on the Moon”
“Life, Animated”
“Lo and Behold: Reveries of the Connected World”
“Look at Us Now, Mother!”
“The Lovers and the Despot”
“Magnus”
“Making a Killing: Guns, Greed, and the NRA”
“Mapplethorpe: Look at the Pictures”
“Marathon: The Patriots Day Bombing”
“Marinoni: The Fire in the Frame”
“Mavis!”
“Maya Angelou: And Still I Rise”
“Mifune: The Last Samurai”
“Miss Sharon Jones!”
“The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble”
“My Love, Don’t Cross That River”
“National Bird”
“National Parks Adventure”
“Never Surrender”
“Newtown”
“Norman Lear: Just Another Version of You”
“Notes on Blindness”
“Nuts!”
“O.J.: Made in America”
“Off the Rails”
“Older than Ireland”
“Olympic Pride, American Prejudice”
“On the Map”
“100 Years, One Woman’s Fight for Justice”
“Our Last Tango”
“Presenting Princess Shaw”
“The Red Pill”
“Rigged 2016”
“The Rolling Stones Olé Olé Olé!: A Trip across Latin America”
“Rooted in Peace”
“The Ruins of Lifta”
“Seasons”
“The Seventh Fire”
“Shadow World”
“Silicon Cowboys”
“Sky Ladder: The Art of Cai Guo-Qiang”
“Solitary”
“Southwest of Salem: The Story of the San Antonio Four”
“Starving the Beast”
“The Syndrome”
“Thank You for Your Service”
“Theo Who Lived”
“They Will Have to Kill Us First – Malian Music in Exile”
“13th”
“This Is Life”
“Tickled”
“Tony Robbins: I Am Not Your Guru”
“Tower”
“The Trans List”
“Trapped”
“Trezoros: The Lost Jews of Kastoria”
“USS Indianapolis The Legacy”
“The Uncondemned”
“Under the Gun”
“Under the Sun”
“Underfire: The Untold Story of Pfc. Tony Vaccaro”
“Unlocking the Cage”
“Vaxxed: From Cover-Up to Catastrophe”
“Voyage of Time: The IMAX Experience”
“We Are X”
“Weiner”
“When Two Worlds Collide”
“The Witness”
“Zero Days”

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.