2018 Oscar Winner Predictions in ALL Categories
| ORIGINAL SCORE | ERIK ANDERSON |
BRYAN BONAFEDE | GREG HOWARD | EVAN KOST |
JASON OSIASON | KENNETH POLISHCHUK |
DENIZCAN SÜRÜCÜ | RICHARD ANTHONY |
ŞÜKRÜ SÖĞÜT | MATT DINN | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | The Shape of Water | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 100 |
| 2 | Phantom Thread | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 3 | 2 | 2 | 88 |
| 3 | Dunkirk | 3 | 3 | 4 | 3 | 3 | 3 | 2 | 2 | 3 | 3 | 81 |
| 4 | Three Billboards Outside Ebbing, Missouri | 4 | 4 | 3 | 4 | 4 | 4 | 4 | 4 | 5 | 4 | 70 |
| 5 | Star Wars: The Last Jedi | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 61 |
| ORIGINAL SONG | ERIK ANDERSON |
BRYAN BONAFEDE | GREG HOWARD | EVAN KOST |
JASON OSIASON | KENNETH POLISHCHUK |
DENIZCAN SÜRÜCÜ | RICHARD ANTHONY |
ŞÜKRÜ SÖĞÜT | MATT DINN | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Coco, “Remember Me” | 1 | 1 | 3 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 95 |
| 2 | The Greatest Showman, “This Is Me” | 2 | 2 | 1 | 2 | 1 | 2 | 2 | 2 | 1 | 2 | 93 |
| 3 | Call Me By Your Name, “Mystery of Love” | 3 | 3 | 2 | 3 | 2 | 3 | 3 | 3 | 4 | 3 | 81 |
| 4 | Mudbound, “Mighty River” | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 3 | 4 | 71 |
| 5 | Marshall, “Stand Up For Something” | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 60 |
Latest posts by Erik Anderson (see all)
- Academy Announces 27 Recipients From Wētā, ILM, DreamWorks Animation and More for Scientific and Technical Achievements - February 18, 2026
- BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare? - February 17, 2026
- Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’ - February 17, 2026



Academy Announces 27 Recipients From Wētā, ILM, DreamWorks Animation and More for Scientific and Technical Achievements
‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’