2018 Oscar Winner Predictions in ALL Categories
| ANIMATED FEATURE | ERIK ANDERSON |
BRYAN BONAFEDE | GREG HOWARD | EVAN KOST |
JASON OSIASON | KENNETH POLISHCHUK |
DENIZCAN SÜRÜCÜ | RICHARD ANTHONY |
ŞÜKRÜ SÖĞÜT | MATT DINN | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Coco | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 100 |
| 2 | The Breadwinner | 2 | 2 | 2 | 2 | 4 | 2 | 2 | 2 | 2 | 2 | 88 |
| 3 | Loving Vincent | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 80 |
| 4 | The Boss Baby | 4 | 4 | 5 | 4 | 2 | 4 | 4 | 4 | 4 | 4 | 71 |
| 5 | Ferdinand | 5 | 5 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 61 |
| DOCUMENTARY FEATURE | ERIK ANDERSON |
BRYAN BONAFEDE | GREG HOWARD | EVAN KOST |
JASON OSIASON | KENNETH POLISHCHUK |
DENIZCAN SÜRÜCÜ | RICHARD ANTHONY |
ŞÜKRÜ SÖĞÜT | MATT DINN | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Icarus | 1 | 1 | 3 | 3 | 3 | 1 | 1 | 2 | 2 | 1 | 92 |
| 2 | Last Men in Aleppo | 3 | 3 | 1 | 2 | 1 | 3 | 3 | 1 | 1 | 2 | 90 |
| 3 | Faces Places | 2 | 2 | 2 | 1 | 4 | 2 | 2 | 3 | 3 | 3 | 86 |
| 4 | Strong Island | 4 | 5 | 4 | 4 | 5 | 4 | 4 | 4 | 4 | 4 | 68 |
| 5 | Abacus: Small Enough to Jail | 5 | 4 | 5 | 5 | 2 | 5 | 5 | 5 | 5 | 5 | 64 |
| FOREIGN LANGUAGE FILM | ERIK ANDERSON |
BRYAN BONAFEDE | GREG HOWARD | EVAN KOST |
JASON OSIASON | KENNETH POLISHCHUK |
DENIZCAN SÜRÜCÜ | RICHARD ANTHONY |
ŞÜKRÜ SÖĞÜT | MATT DINN | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Russia – Loveless | 3 | 4 | 1 | 2 | 2 | 3 | 2 | 1 | 1 | 1 | 90 |
| 2 | Chile – A Fantastic Woman | 1 | 3 | 2 | 3 | 1 | 4 | 4 | 2 | 3 | 3 | 84 |
| 2 | Sweden – The Square | 2 | 2 | 3 | 1 | 3 | 2 | 3 | 4 | 2 | 4 | 84 |
| 4 | Lebanon – The Insult | 4 | 1 | 5 | 4 | 4 | 1 | 1 | 3 | 5 | 2 | 80 |
| 5 | Hungary – On Body and Soul | 5 | 5 | 4 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 62 |
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Latest posts by Erik Anderson (see all)
- Midnight Critics Circle (MCC) Awards: ‘Marty Supreme’ Wins Best Picture - January 28, 2026
- Writers Guild of America (WGA) Nominations: ‘Black Bag,’ Weapons,’ ‘The Chair Company’ and More - January 27, 2026
- American Cinema Editors (ACE) Nominations: ‘Hamnet,’ ‘Bugonia,’ ‘Pluribus,’ ‘The Chair Company’ and More - January 27, 2026
Midnight Critics Circle (MCC) Awards: ‘Marty Supreme’ Wins Best Picture 
‘Undertone’ Review: This Pod Means Death in Ian Tuason’s Paranormal Aural Creeper [B+] | Sundance 
‘The Weight’ Review: Ethan Hawke is Ever-Reliable in Tension-Free, Depression Era Actioner [B-] | Sundance 
‘The Only Living Pickpocket in New York’ Review: John Turturro is Wonderful as a Timeless Anti-Hero with a 1970s Vibe [A-] | Sundance