2018 Oscar Winner Predictions in ALL Categories
| SHORT – ANIMATED | ERIK ANDERSON |
BRYAN BONAFEDE | GREG HOWARD | EVAN KOST |
JASON OSIASON | KENNETH POLISHCHUK |
DENIZCAN SÜRÜCÜ | RICHARD ANTHONY |
ŞÜKRÜ SÖĞÜT | MATT DINN | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Dear Basketball | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 80 | ||
| 2 | Lou | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 72 | ||
| 3 | Revolting Rhymes | 3 | 3 | 3 | 5 | 3 | 3 | 3 | 4 | 61 | ||
| 4 | Negative Space | 5 | 4 | 4 | 3 | 4 | 5 | 5 | 3 | 55 | ||
| 5 | Garden Party | 4 | 5 | 5 | 4 | 5 | 4 | 4 | 5 | 52 |
| SHORT – DOCUMENTARY | ERIK ANDERSON |
BRYAN BONAFEDE | GREG HOWARD | EVAN KOST |
JASON OSIASON | KENNETH POLISHCHUK |
DENIZCAN SÜRÜCÜ | RICHARD ANTHONY |
ŞÜKRÜ SÖĞÜT | MATT DINN | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Edith+Eddie | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 67 | |||
| 2 | Heroine(e) | 2 | 1 | 1 | 2 | 1 | 2 | 2 | 66 | |||
| 3 | Heaven Is a Traffic Jam on the 405 | 4 | 3 | 3 | 3 | 3 | 3 | 4 | 54 | |||
| 4 | Knife Skills | 3 | 5 | 4 | 4 | 4 | 4 | 5 | 48 | |||
| 5 | Traffic Stop | 5 | 4 | 5 | 5 | 5 | 5 | 3 | 45 |
| SHORT – LIVE ACTION | ERIK ANDERSON |
BRYAN BONAFEDE | GREG HOWARD | EVAN KOST |
JASON OSIASON | KENNETH POLISHCHUK |
DENIZCAN SÜRÜCÜ | RICHARD ANTHONY |
ŞÜKRÜ SÖĞÜT | MATT DINN | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Watu Wote/All of Us | 1 | 3 | 1 | 4 | 1 | 1 | 2 | 64 | |||
| 2 | The Silent Child | 3 | 2 | 3 | 1 | 3 | 2 | 1 | 62 | |||
| 3 | The Eleven O’Clock | 5 | 1 | 2 | 2 | 2 | 5 | 4 | 56 | |||
| 4 | DeKalb Elementary | 2 | 4 | 4 | 3 | 4 | 4 | 5 | 51 | |||
| 5 | My Nephew Emmett | 4 | 5 | 5 | 5 | 5 | 3 | 3 | 47 |
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Latest posts by Erik Anderson (see all)
- 2025 Oscar Predictions: SUPPORTING ACTOR (November) - November 21, 2024
- 2025 Oscars: Eligibility Lists for Animated Feature, Documentary Feature and International Feature Film for the 97th Academy Awards - November 21, 2024
- Nava Mau, Sean Wang Among 2024 BAFTA Breakthroughs Championing New ‘Must-Watch’ Creatives - November 21, 2024
2025 Oscar Predictions: SUPPORTING ACTOR (November) 
Director Watch Podcast Ep. 72 – ‘Three Colours: Blue’ (Krzysztof Kieślowski, 1993) 
2025 Oscars: Eligibility Lists for Animated Feature, Documentary Feature and International Feature Film for the 97th Academy Awards 
Nava Mau, Sean Wang Among 2024 BAFTA Breakthroughs Championing New ‘Must-Watch’ Creatives