2019 Oscar Predictions: BEST DIRECTOR (July) – Alfonso Cuarón makes big chart jump

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Things are starting to happen as we’ve crossed the halfway point of the year. While obviously the fall and winter films have yet to be seen by critics or the general public, many have been seen by festival programmers and next week we’ll have the lineups for Venice and TIFF.

The big move this month is Alfonso Cuarón for Roma. It was just announced yesterday that the film will be the New York Film Festival Centerpiece selection. Historically it’s not the most trustworthy spot for Oscar players (Wonderstruck landed it last year) but Roma could upend that. It’s been five years since Cuarón’s Oscar-winning juggernaut Gravity which won him the Academy Award for Best Director. For Roma, he eschews deep space and visual effects for a very down to Earth and personal film and I think the Academy could eat it up. The other major Roma news that dropped this week was that Netflix had procured Lisa Taback, arguably the most influential Oscar strategist in the business. She was partially responsible for Mudbound‘s breakthrough last year and could knock down a few more doors this year.

Damien Chazelle, the Oscar-winning director of La La Land, will see his next film, First Man, open this year’s Venice Film Festival. La La Land also nabbed this spot before its next stop at Telluride, domination of the fall fests and 14 Oscar nominations. But, he falls this month for me just a bit. Mostly to make room for the huge rise of Yorgos Lanthimos (The Favourite) but also because I wonder how much audiences, critics and Academy voters will see First Man through the lens of La La Land and Chazelle’s previous win. It’s all speculative but I’m remaining cautious.

Same goes for Oscar winners Steve McQueen and Barry Jenkins. Follow-ups are not always easy, especially if you’ve gotten so much acclaim for your last film. Widows might end up being a good popcorn flick that earns massive box office. Maybe it’s all of that and an awards player. If Beale Street Could Talk could be an artsy indie too far outside of mainstream or awards appeal. But then, that’s what a lot of pundits said about Moonlight and then it won Best Picture.

I’m feeling more positive about Karyn Kusama and Destroyer week to week. It’s only gut and instinct at this point but it has to start somewhere. Kusama represents so much about Hollywood at its crossroads right now; women in film, especially directors. Minority recognition and opportunity; Kusama would be the first Asian-American woman nominated in Best Director if she makes it in. Hell, she’d be the first non-white woman period. But, will Annapurna prioritize her over Jenkins and Adam McKay (Backseat)?

Joel Edgerton also rises this month with Boy Erased. Focus Features is positioning the film as a major awards player and the Academy loves actors turned directors. Although, Bradley Cooper (A Star Is Born) may already have that spot sewn up.

Is anyone else excited by the prospect of Orson Welles being an Oscar nominee in 2019 for The Other Side of the Wind? I know it’s way, way out there as a chance but again, now that Netflix has the best awards publicist in the business I’m not crossing anything out. Speaking of Netflix, Susanne Bier debuts with Bird Box. With so many strong female directors in the mix this year she could be in contention.

Here are my 2019 Oscar predictions in Best Director for July 19, 2018.

Green – moves up
Red – moves down
Blue – chart debut

2019 Oscar Predictions: ADAPTED and ORIGINAL SCREENPLAY (July)

2019 Oscar Predictions: BEST ACTRESS (July)

2019 Oscar Predictions: BEST ACTOR (July)

2019 Oscar Predictions: SUPPORTING ACTOR (July)

2019 Oscar Predictions: SUPPORTING ACTRESS (July)

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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