2019 Oscar Predictions: MAKEUP & HAIRSTYLING and VISUAL EFFECTS (November)

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I should have had The Favourite in the top 3 last month but I’ve rectified that now. There is something almost too simple in the garishness of the Queen Anne’s makeup in the film but I think that the branch will embrace it. Plus, it has some of the best w(h)igs of the year. 

I still have Disney’ The Nutcracker and the Four Realms making it in on the sheer volume of its complex makeup and hair compositions even though the film was a critical and box office flop. That rarely comes into play in this category (see: Norbit). 

All is True, the new period piece from Kenneth Branagh debuts this month and I’m keeping my eye on Uncle Drew as a potential spoiler here. 

Black Panther moves up and if the film is a major contender it will be across the board. 

Some movement in Visual Effects with Mary Poppins Returns moving up. The inclusion of classic hand-drawn animation, including hiring old animators who hadn’t worked in decades, it could be a real contender for the win as it merges old and new and pays homage to the original. 

The shortlists will tell us a lot. Look for those next month. 

Here are my 2019 Oscar predictions in Makeup & Hairstyling and Visual Effects for November 22, 2018.

MAKEUP & HAIRSTYLING

Green – moves up; Red – moves down; Blue – chart debut/re-entry

1. The Favourite (Fox Searchlight)
2. Border (Neon)
3. The Nutcracker and the Four Realms (Disney)

4. Vice (Annapurna)
5. Black Panther (Disney)

NEXT UP

All is True (Sony Classics)
Mary Poppins Returns (Disney)
Mary Queen of Scots (Focus Features)
A Star is Born (Warner Bros)
Uncle Drew (Lionsgate)

OTHER CONTENDERS

At Eternity’s Gate (CBS Films)
BlacKkKlansman (Focus Features)
Bohemian Rhapsody (20th Century Fox)
Colette (Bleecker Street)
Vox Lux (Neon)
Destroyer (Annapurna)
Fantastic Beasts: The Crimes of Grindelwald (Warner Bros)
If Beale Street Could Talk (Annapurna)
Stan and Ollie (Sony Classics)
Suspiria (Amazon)
Vox Lux (Neon)
A Wrinkle in Time (Disney)

VISUAL EFFECTS

Green – moves up; Red – moves down; Blue – chart debut/re-entry

1. Black Panther (Disney)
2. Mary Poppins Returns (Disney)
3. Ready Player One (Warner Bros)
4. Avengers: Infinity War (Disney)
5. Bumblebee (Paramount)

NEXT UP

Ant-Man and the Wasp (Disney)
First Man (Universal)
The Nutcracker and the Four Realms (Disney)
Peter Rabbit (Sony)
Welcome to Marwen (Universal)

OTHER CONTENDERS

Annihilation (Paramount)
Aquaman (Warner Bros)
Christopher Robin (Disney)
Deadpool 2 (20th Century Fox)
Fantastic Beasts: The Crimes of Grindelwald (Warner Bros)
The House with a Clock in Its Walls (Universal)
Isle of Dogs (Fox Searchlight)
Jurassic World: Fallen Kingdom (Universal)
Pacific Rim Uprising (Universal)
Solo: A Star Wars Story (Disney)
Venom (Sony)
A Wrinkle in Time (Disney)

2019 Oscar Predictions: PRODUCTION DESIGN and COSTUME DESIGN (November)

2019 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (November

2019 Oscar Predictions: ORIGINAL SCORE and ORIGINAL SONG (November)

2019 Oscar Predictions: ANIMATED FEATURE, FOREIGN LANGUAGE FILM, DOCUMENTARY FEATURE (November)

2019 Oscar Predictions: ADAPTED and ORIGINAL SCREENPLAY (November)

2019 Oscar Predictions: SUPPORTING ACTOR (November)

2019 Oscar Predictions: SUPPORTING ACTRESS  (November)

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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