2020 Art Directors Guild sets February 1 for awards

Erik Anderson May 8, 2019

(Photo courtesy of the Art Directors Guild)

The Art Directors Guild (ADG, IATSE Local 800) 24^th Annual Excellence in Production Design Awards honoring Production Design in theatrical motion pictures, television, commercials, animated features and music videos will return to the InterContinental Los Angeles Downtown in the Wilshire Grand Centre on Saturday, February 1, 2020. The announcement was made today by ADG President Nelson Coates, Council Chair Mark Worthington and Event Producer Scott Moses.

Honorees for Lifetime Achievement, Cinematic Imagery and new inductees into the Guild’s Hall of Fame will be announced at a later date. The nomination date is yet to be determined.

ADG Awards are open only to productions when made within the U.S. by producers signatory to the IATSE agreement. Foreign entries are acceptable without restrictions.

Last year’s winners for film included The Favourite, Crazy Rich Asians and Black Panther – the latter of which went on to win the Oscar for Production Design. On television, winners were The Marvelous Mrs. Maisel, The Handmaid’s Tale and GLOW. with the latter two also winning Emmy Awards for Production Design.

About the Art Directors Guild:
Established in 1937, the Art Directors Guild (IATSE Local 800) represents 2,700 members who work throughout the world in film, television and theater as Production Designers and Art Directors; Scenic, Title and Graphic Artists; Set Designers and Model Makers; and Illustrators and Matte Artists. The ADG’s ongoing activities include a Film Society screening series, annual “Excellence in Production Design Awards” gala, bimonthly craft magazine (PERSPECTIVE), figure drawing and other creative workshops, extensive technology and craft training programs and year-round Gallery 800 art exhibitions.

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.