2020 Oscar Nomination Predictions: INTERNATIONAL FEATURE FILM (December)

The official Oscar shortlist for International Feature Film was released yesterday and with it came some huge snubs and even bigger surprise inclusions. Although four of my top 5 from last month made the cut, Sweden’s And Then We Danced did not. In fact, no film with and LGBTQ key subject did. Also missing? Latin America, completely. No Colombia (Monos), no Mexico (The Chambermaid), no Brazil (Invisible Life).
What we got in their place were Estonia (Truth and Justice), Hungary (Those Who Remained) and Czech Republic’s The Painted Bird. Never, ever discount the impact of a Holocaust-related film in this category, as the latter two reveal.
Oscar Podcast #77: Discussing the Oscar Shortlists with guest Will Mavity
Here are my 2020 Oscar Nomination Predictions in International Feature Film for December 17, 2019.
Green – moves up Red – moves down Blue – new/re-entry
1. South Korea – Parasite (Bong Joon-ho) – Neon
2. Spain – Pain and Glory (Pedro Almodóvar) – Sony Classics
3. France – Les Misérables (Ladj Ly) – Amazon
4. Russia – Beanpole (Kantemir Balagov) – Kino Lorber
5. Senegal – Atlantics (Mati Diop) – Netflix
6. Estonia – Truth and Justice (Tanel Toom)
7. Poland – Corpus Christi (Jan Komasa) – Film Movement
8. Hungary – Those Who Remained (Barnabás Tóth)
9. North Macedonia – Honeyland (Tamara Kotevska and Ljubomir Stefanov) – Neon
10. Czech Republic – The Painted Bird (Václav Marhoul) – IFC Films
- 76th Berlin Film Festival Awards: ‘Yellow Letters’ Wins Golden Bear for Best Film; ‘Queen at Sea’ Nabs Two Among Festival Unrest Over Politics - February 21, 2026
- Irish Film & Television Academy (IFTA) Awards: ‘Hamnet’ Tops Wins, ‘Christy’ Nabs Best Irish Film - February 20, 2026
- 8th Kodak Film Awards Recipients: Kristen Stewart, Joachim Trier, Autumn Durald Arkapaw and More - February 20, 2026

76th Berlin Film Festival Awards: ‘Yellow Letters’ Wins Golden Bear for Best Film; ‘Queen at Sea’ Nabs Two Among Festival Unrest Over Politics
‘Flies (Moscas)’ Review: To Be a Fly on the Wall is to See All in Fernando Eimbcke’s Quiet Family Drama [B-] Berlinale
‘The Blood Countess’ Review: Isabelle Huppert’s Glamorous Vampire Mother Rises Above Baroque Bungle [C-] Berlinale
Irish Film & Television Academy (IFTA) Awards: ‘Hamnet’ Tops Wins, ‘Christy’ Nabs Best Irish Film