2022 Oscar Predictions: MAKEUP & HAIRSTYLING and VISUAL EFFECTS (October)

In the wise words of Timothée Chalamet: Dune DUne DUNE dUNE dun3 DuNe DuuuuunE Dyune DYuuuuuuune Dyyyyyuuuunnneeeee Doon Duninator Dern Derndonn dernflerf Dernnnnnnnn DUNNNNE Dune DUUUUNE

Here are my 2022 Oscar predictions in Makeup & Hairstyling and Visual Effects for October 2021.

MAKEUP and HAIRSTYLING

1. Dune (Warner Bros/HBO Max)
2. The Eyes of Tammy Faye (Searchlight Pictures)
3. House of Gucci (MGM/UA)
4. Cruella (Walt Disney)
5. The Suicide Squad (Warner Bros/HBO Max)
6. Nightmare Alley (Searchlight Pictures)
7. Being the Ricardos (Amazon Studios)
8. King Richard (Warner Bros/HBO Max)
9. The Tragedy of Macbeth (A24/Apple Original Films)
10. Spencer (NEON)

Other contenders:
Eternals (Walt Disney/Marvel)
The French Dispatch (Searchlight Pictures)
The Last Duel (20th Century Studios)
Last Night in Soho (Focus Features)
Licorice Pizza (MGM/UA)
Titane (NEON)

VISUAL EFFECTS

1. Dune (Warner Bros/HBO Max)
2. The Matrix Resurrections (Warner Bros/HBO Max)
3. Don’t Look Up (Netflix)
4. Godzilla vs. Kong (Warner Bros/HBO Max)
5. Free Guy (20th Century Studios)
6. Eternals (Walt Disney/Marvel)
7. The Tomorrow War (Amazon Studios)
8. Ghostbusters: Afterlife (Sony Pictures)
9. The Suicide Squad (Warner Bros/HBO Max)
10. Spider-Man: No Way Home (Sony Pictures/Marvel)

Other contenders:
Black Widow (Walt Disney/Marvel)
Finch (Apple Original Films)
Jungle Cruise (Walt Disney)
No Time to Die (MGM/UA)
Shang-Chi and the Legend of the Ten Rings (Walt Disney/Marvel)
Space Jam: A New Legacy (Warner Bros/HBO Max)
Swan Song (Apple Original Films)
The Tragedy of Macbeth (A24/Apple Original Films)
Venom: Let There Be Carnage (Sony Pictures)

Photos: Warner Bros

• Author
• Recent Posts

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

Latest posts by Erik Anderson (see all)

• 2024 North Carolina Film Critics Association (NCFCA) Nominations - December 21, 2024
• 2024 Philadelphia Film Critics Circle (PFCC) Winners: ‘Anora’ Named Best Film Among its Six Awards - December 21, 2024
• 2024 Utah Film Critics Association (UFCA) Nominations - December 21, 2024