The next Sundance Film Festival is scheduled for January 20–30, 2022
Today, Sundance Film Festival Tabitha Jackson announced that next year’s festival will adapt what 2021 did and utilize a combination of in-person and virtual screenings, saying it “will be the site of a new convergence.”
2021 Sundance was the first time the festival explored a virtual component to its festival, normally in the snow-packed mountains of Park City, Utah in the middle of winter. The coronavirus pandemic, as it did with much of the entertainment industry, forced organizers to find more creative ways to go on with the show in a way that was safe but also allowed the hard work of filmmakers across the globe to be able to share their work and do so to a much broader audience than usual. It also gave opportunities for journalists with disabilities or financial constraints to cover the festival for the first time and highlighted the vast discrepancies of who gets to attend film festivals, how, and why.
This year’s festival saw the biggest film purchase not just in Sundance history but in the history of any festival when Apple TV+ purchased Sian Heder’s CODA for a whopping $25M. CODA, which stands for Children of Deaf Adults, tells the story of teenage Ruby (played by Emilia Jones), whose family fishing business is threatened when she wants to leave their small town and pursue a career in music. The film co-stars Academy Award winner Marlee Matlin and went on to win an unprecedented four awards at the festival: the Audience Award, the Grand Jury Prize, Directing and for its Ensemble.
Below are the words of Tabitha Jackson on the next Sundance Film Festival and what to expect.
Dear Friends,
This time last year, I wrote to share some early thoughts about how we were approaching my first Sundance Film Festival as director — and the first Sundance to be held in the midst of a pandemic.
Since 1985, artists and audiences have gathered at the Festival to affirm the transformative power of independent film and media. And for all of those years, the Festival took place in our home state of Utah… until 2021, when we came together not in a place but in a moment, from places all around the world.
The 2021 Festival unfolded online and through Satellite Screens across the country. Bold, distinctive, expressive works met their first audiences. There were breakout hits and beautiful discoveries — and to our relief, people showed up! Last year’s Festival welcomed more young people and more people who had never been able to participate before. There was nothing “virtual” about the connections forged in the New Frontier space or the shared experience of watching films that have stayed with us ever since; all of this was real.
In other words: It was Sundance, in a new form.
In six months’ time, we will have completed another trip around the sun. So much has already happened in the course of that journey: a year of immense loss, a year of births and possibilities, a year of fires and floods, a year in which extraordinary work has been created. As we celebrate the new possibilities sparked by last year’s Festival and navigate the ongoing realities of this pandemic, we are planning how to come back together to make meaning through art and ideas.
In January 2022, the Sundance Film Festival will be the site of a new convergence.
We are delighted that the community can once again make the annual pilgrimage back to the Festival in Utah, and we also invite audiences to join us online from wherever they are. In that spirit, I want to share some details that may help shape your plans:
The soul of Sundance has always been in the coming together of a community: around new voices, new work, new forms, and new perspectives. During last year’s Festival, even when denied the chance to gather in a single place, the power of converging in a single moment was undeniable. We were able to expand the possibility of who could take part. And as we prepare for 2022, we remain committed to this invitation to new audiences.
It’s no coincidence that our festival bursts into life at the beginning of each new year. It is a time for new beginnings, to reflect on what has been, and to imagine what might come to be. We have taken this journey around the sun 37 times since 1985, and this ritual repetition, this annual pilgrimage, has only served to affirm the urgency, vitality, and expressive power of independent film and media. By fiercely holding space for independent perspectives and media created outside the mainstream market, we as a community can spark new narratives, protect bold critiques of power, and deepen our understanding of what is possible. It has never been more essential.
So, as we complete one orbit around the brightest star and prepare to begin another, let’s ask ourselves: What will be illuminated this coming year? What new possibilities will be revealed? How will this convergence change the nature of our trajectory in ways that we have not yet imagined?
For the bold, the curious, the independent-minded everywhere, I’m looking forward to seeing you in Utah and beyond in 2022.
Yours,
Tabitha Jackson
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