2023 AFI FEST Short Film Awards Winners

The American Film Institute (AFI) announced today the AFI FEST 2023 Grand Jury Award winners and Special Mentions. The Grand Jury Award winners for Live Action Short (Closing Dynasty), Documentary Short (Grandma & Grandpa) and Animated Short (Chutes) will be eligible for the 2023 Best Live Action Short, Best Documentary Short and Best Animated Short Academy Awards. The jury was comprised of BAFTA-winning and Emmy-nominated director and writer Sindha Agha, film critic Ryan Swen and writer, producer and film programmer Imani Davis.

“By smashing attendance records this year, AFI FEST proves the power of cinema to bring us together in difficult times,” said Bob Gazzale, AFI President and CEO. “For 37 years, AFI has been proud to bring the very best of world cinema to the heart of Hollywood, and we look forward to welcoming even more people to the movies next year.”

Here is the complete list of juried short film winners for AFI FEST 2023.

Grand Jury Prize – Live Action Short 

CLOSING DYNASTY (DIR Lloyd Lee Choi) 

Jury Statement: “Absorbed us completely in a very different New York City – told through the perspective of an enterprising little girl. The expert blend of humor and pain in the writing paired with stunning cinematography blew us away.” 

Grand Jury Prize – Documentary Short 

NǍI NAI & WÀI PÓ (GRANDMA & GRANDMA) (奶奶跟外婆) (DIR Sean Wang) 

Jury Statement: “A tender, comedic portrait of an unconventional family dynamic told with a pronounced sensitivity to quotidian rhythms and the wry perspectives of elders.” 

Grand Jury Prize – Animated Short 

CHUTES (DIR Kenzie Sutton) 

Jury Statement: “A delightful, bizarre rollercoaster of clever visual metaphors that deftly captures the interplay between social relationships and wanton materialism.”

Special Mentions

Special Jury Mention for Editing – Live Action Short

SÈT LAM (DIR Vincent Fontana) 

Jury Statement: “A lyrical, deeply affecting edit that transported us into a trancelike state with its rhythmic evocations of dance and community.” 

Special Jury Mention for Experimentation – Documentary Short

QUIET AS IT’S KEPT (DIR Ja’Tovia M. Gary) 

Jury Statement: “Continually expands its exploration of Black femininity via the works of Toni Morrison and TikTok, burrowing into myriad historical and cultural associations with hypnotic manipulations of sound and image.”

Special Jury Mention for Social Commentary – Documentary Short 

ALPHA KINGS (DIR Enrique Pedráza Botero, Faye Tsakas) 

Jury Statement: “A striking, observational character portrait of a fascinating, typically invisible world captured with a refreshingly nonjudgmental yet incisive eye.”

Special Jury Mention for Stop Motion – Animated Short   

THE MIRACLE (DIR Nienke Deutz) 

Jury Statement: “Vivid construction of a unique, hilarious and unsettling world – this animation felt unlike anything we’d seen before and stuck with us.” 

Special Jury Mention for 2D Animation – Animated Short

MIISUFY (DIR Liisi Grünberg) 

Jury Statement: “It comes out of the gate swinging with its unique and distinct illustrations – it took us through a journey in its world.” 

Special Jury Mention for Cinematography – Live Action Short 

BASRI & SALMA IN A NEVER-ENDING COMEDY (DIR Khozy Rizal) 

Jury Statement: “The unforgettable cinematography added a layer of humor and vibrancy to heavy emotional material, making the most of wide-open landscapes and bright carnivalesque lights and colors.” 

Special Jury Mention for Lead Acting – Live Action Short

MADDEN (DIR Malin Ingrid Johansson) 

Jury Statement: “A beautifully tender and subtle performance from the lead actor that had us entirely invested in her world.” 

Special Jury Mention for Hybrid Storytelling – Documentary Short  

DILDOTECTONICS (DILDOTECTÓNICA) (DIR Tomás Paula Marques) 

Jury Statement: “Blending two separate sexual explorations (one documentary, one quasi-fanciful reenactment) across the years, this delves into physical and political alternatives to heteronormativity with an offhand, fluid brilliance.”

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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