72nd Motion Picture Sound Editors (MPSE) Golden Reel Awards: ‘Dune: Part Two,’ ‘Wicked,’ ‘Ripley’ and More Win

The 72nd Annual MPSE Golden Reel Awards, honoring outstanding achievement in sound editing, sound design, music editing and foley artistry in film, television and gaming, were announced tonight with Dune: Part Two, Wicked, Shōgun and Ripley topping the winners list at the annual gala at the Wilshire Ebell Theatre in Los Angeles.

Dune: Part Two won the award for feature effects and foley while Wicked won music editing. Emilia Pérez won the group’s international honor for features and The Wild Robot won for animation. Last night, A Complete Unknown triumphed with the Cinema Audio Society, winning the top award for sound mixing but lost both of its nominations at MPSE. All five are Oscar-nominated in the single sound category. Dune: Part Two also won the BAFTA and the Association of Motion Picture Sound award. Saturday Night won the sound editing award for feature dialogue and ADR. Deadpool & Wolverine was the nomination leader but lost all three of its bids.

In television, the wealth was equally spread out with Shōgun, Ripley, Only Murders in the Building and The Penguin sharing wins with no series taking home more than one award.

Two honorary awards were also presented: Kevin Costner received the Filmmaker Award and supervising sound editor Greg Hedgepath, MPSE received the Career Achievement Award. Patton Oswalt served as the evening’s host, marking the third time he’s hosted the Golden Reel Awards. MPSE president David Barber presided over the festivities as the sound community came together to celebrate their own. The MPSE invited firefighters to attend the gala as special guests with the audience honoring them for their heroic efforts during the recent LA wildfires.

Here is the complete list of winners.

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

Saturday Night / Columbia Pictures

Supervising Sound Editors: David Butler, Will Files MPSE, Lee Gilmore MPSE

Dialogue Editors: Helen Lutrell, Emma Present

Outstanding Achievement in Sound Editing – Feature Effects / Foley

Dune: Part Two / Warner Bros. Pictures

Supervising Sound Editor: Richard King

Sound Designers: Dave Whitehead MPSE, Michael Babcock, Lee Gilmore MPSE, Randy Torres

Sound Effects Editors: Brent Burge, Hayden Collow, Melanie Graham, Michael Mitchell, Jeff Sawyer, Matt Stutter MPSE, Chris Terhune

Supervising Foley Editor: Chris Flick

Foley Editor: Willard Overstreet

Foley Artists: John Cucci, Dan O’Connell

Outstanding Achievement in Music Editing – Feature Motion Picture

Wicked / Universal Pictures

Supervising Music Editor: Jack Dolman & Catherine Wilson

Supervising Vocal Editor: Robin Baynton

Outstanding Achievement in Sound Editing – Feature International

Emilia Pérez / Netflix

Supervising Sound Editor: Aymeric Devoldère

Sound Designer: Cyril Holtz

Supervising Dialogue Editor: Hortense Bailly

Supervising ADR Editor: Carolina Santana

Foley Editor: Antoine Swertvaegher

Foley Artist: Gregory Vincent

Outstanding Achievement in Sound Editing – Feature Animation

The Wild Robot / Universal Pictures

Supervising Sound Editors: Brian Chumney, Leff Lefferts

Sound Designer: Randy Thom MPSE

Sound Effects Editors: David Farmer MPSE, David Hughes, Jamey Scott MPSE

Dialogue Editor: Rich Quinn  

Foley Editors: Malcolm Fife, Dee Selby        

Foley Artists: Ronni Brown, Jana Vance

Outstanding Achievement in Sound Editing – Feature Documentary

The Blue Angels / Amazon Prime

Supervising Sound Editor: Robert Stambler MPSE

Sound Effects Editor: Ryan “Sully” Sullivan  

Dialogue Editor: Emma Present        

Outstanding Achievement in Music Editing – Documentary

Music by John Williams / Disney+      

Supervising Music Editor: Ramiro Belgardt  

Music Editors: Christopher Barnett MPSE, Roy Waldspurger

Outstanding Achievement in Sound Editing – Non-theatrical Feature

Rebel Moon – Part Two: The Scargiver / Netflix

Supervising Sound Editors: Scott Hecker MPSE, Chuck Michael MPSE

Sound Effects Designers: Scott Hecker MPSE, Chuck Michael MPSE, Nick Interlandi, Bryan Jerden MPSE, Alexander Pugh MPSE, Andrew Vernon MPSE

Sound Effects Editor: Greg ten Bosch MPSE, Brad Sokol

Supervising Dialogue / ADR Editor: Jessie Anne Spence MPSE

Dialogue/ADR Editors: Michael Hertlein, Arielle McGrail, Byron Wilson

Supervising Foley Editor: Mark Pappas

Supervising Foley Artist: Gary Hecker MPSE

Foley Artists: Michael Broomberg, Mike Horton

Outstanding Achievement in Sound Editing – Non-Theatrical Documentary

Apollo 13: Survival / Netflix

Supervising Sound Editor: Paul Darling

Sound Editor: Greg Gettens

Foley Editor: Olly Freemantle

Foley Artist: Rebecca Heathcote

Outstanding Achievement in Sound Editing – Non-Theatrical Animation

Arcane: “The Dirt Under Your Nails” / Netflix

Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE

Sound Effects Editor: Stephen P. Robinson MPSE

Supervising Music Editor: Alexander Temple

Music Editors: Andrew Kierszenbaum, Sebastien Najand, Alex Seaver

Foley Editor: PJ Pascual

Foley Artists: John Cucci, Dan O’Connell

Outstanding Achievement in Sound Editing – Broadcast Animation

Secret Level: “Warhammer 40,000: They Shall Know No Fear” / Amazon Prime

Supervising Sound Editors: Brad North MPSE, Matt Yocum MPSE

Sound Designers: Joseph Fraioli, Nolan McNaughton MPSE, Ryan Sullivan

Sound Effects Editors: Chris Battaglia MPSE, Harry Cohen MPSE

Foley Editors: Matt Manselle, Matt Telsey

Foley Artist: Brian Straub      

Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR

Shōgun: “Ladies of the Willow World” / FX

Supervising Sound Editor: Brian J. Armstrong MPSE

Sound Editor: Damon Cohoon

Dialogue Editor: John Creed MPSE

ADR Editor: Ayako Yamauchi MPSE

Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley

Ripley: “III Sommerso” / Netflix

Supervising Sound Editors: Michael Feuser, Lawrence Zipf            

Sound Designers: Bill R. Dean MPSE, Angelo Palazzo MPSE, Lawrence Zipf

Foley Editor: Igor Nikolic                   

Sound Effects Editors: David Forshee MPSE, Wyatt Sprague        

Supervising Foley Editor: Matt Haasch

Foley Artists: Sandra Fox, Steve Hammond, Goro Koyama, Andy Malcolm, Jay Peck      

Outstanding Achievement in Sound Editing – Broadcast Short Form 

Earthsounds: “Australian Forests” / Apple TV+

Supervising Sound Editor: Kate Hopkins

Sound Effect Editor: Tom Mercer

Foley Editor: Ellie Bowler

Foley Artist: Rory Joseph

Outstanding Achievement in Music Editing – Broadcast Long Form

The Penguin: “Cent’Anni” / HBO Max

Supervising Music Editor: Ben Holiday

Music Editors: Chad Birmingham, Luke Dennis

Outstanding Achievement in Music Editing – Broadcast Short Form

Only Murders in the Building: “My Best Friend’s Wedding” / Hulu

Music Editor: Michah Liberman

Outstanding Achievement in Sound Editing – Game Dialogue / ADR

Call of Duty: Black Ops 6

Audio Lead: Jacob Harley, Jeremiah Sypult, Brian Tuey

Audio Directors: Ian Mika

Supervising Sound Editor: Charles Deenen

Supervising Dialogue Editor: Robert Jackson

Senior Audio Artist: Ryan Garigliano

Dialogue Editors: Jessica Arkoff, Socrates Ayala, Kelli Baffoni, Tom Boyd, Roman Fusco, Cesar Marenco MPSE, Kevin Patel, Brandon Roos, Ruge Sun, Dani Turner, Rob Weiss, Maggie Wolf

Audio Artists: Justin Moreh, Darrell Tung

Outstanding Achievement in Music Editing – Game Music

Star Wars Outlaws

Audio Director: Simon Koudriavtsev

Senior Music Designer: Erik Jacobsson

Music Supervisor: Manu Bachet

Outstanding Achievement in Sound Editing – Game Effects / Foley

Call of Duty: Black Ops 6

Audio Directors: Adam Boyd MPSE, Trevor Bresaw, Ian Mika, Jeremiah Sypult, Brian Tuey

Supervising Sound Editor: Charles Deenen

Lead Sound Designers: Collin Ayers, Jai Berger, Darren Blondin, John Drelick, Nick Martin, Kevin Sherwood

Sound Designers: Mark Camperell MPSE, Nick D’Amato, Tom David, James Evans, Daniel P. Francis MPSE, Luis Galdames MPSE, Nick Interlandi, Austin Krier MPSE, Jim Lecroy, James Miller, Garrett Montgomery MPSE, Josh Moore, Michael Newton, Dominik Ragančík, Jordan Ruhala, Matthew Schaff MPSE, Nick Spradlin, Darrell Tung, Bryan O. Watkins

Technical Sound Designers: Sunglae Park, William Wise III

Expert Sound Designers: Andy Bayless, Cameron Britton, Scott Eckert

Associate Lead Sound Designer: Jacob Harley

Sound Effects Editors: Landen Belardes, Cadmus Blackwood, Tyler Windsor

Senior Audio Artist: Corina Bello, Logan Byers, Ryan Garigliano, Jasmine Jia, James McCawley, Vadim Nuniyants, Tim Schlie, Lee Staples

Junior Audio Artists: Tommy Lee, Justin Moreh

Foley Editor: Rustam Himadiiev

Foley Artist: Bogdan Zavarzin

Audio Directors: Adam Boyd MPSE, Trevor Bresaw, Ian Mika, Jeremiah Sypult, Brian Tuey

Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

Songbirds      / Savannah College of Art and Design

Supervising Sound Editor: Eugenio Mirafuentes

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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