73rd ACE Eddie Awards: ‘Top Gun: Maverick,’ ‘Everything Everywhere All At Once’ win top editing prizes

The 73rd Annual ACE Eddie Awards, presented by American Cinema Editors (ACE), were announced live today at UCLA’s Royce Hall, recognizing outstanding editing in 14 categories of film, television and documentaries.

For feature film, Top Gun: Maverick bested fellow Oscar competition in Elvis and TÁR in the drama category while Everything Everywhere All At Once beat out its Oscar competition, The Banshees of Inisherin, in comedy. EEAAO previously won the BAFTA and Critics’ Choice for editing over Elvis and Top Gun: Maverick at both groups. All five will dual it out for the Film Editing Oscar next Sunday at the 95th Academy Awards.

Since 2000, the ACE Eddie winner for theatrical drama has gone on to win the Academy Award for Film Editing 13 out 22 times, but the three years have subverted that.

Guillermo del Toro’s Pinocchio and Fire of Love won in the Animated Feature and Documentary categories, respectively, while The Bear, Severance and The White Lotus were among the winners in television.

In addition to the announcement of winners in competitive categories, Gina Prince-Bythewood accepted the prestigious ACE Golden Eddie Award – recognizing an artist or company for distinguished achievement in film. 

Film editors Lynne Willingham, ACE and Don Zimmerman, ACE received Career Achievement Awards for their outstanding contributions to film editing.  The event was hosted by Ashley Nicole Black and presided over by ACE President Kevin Tent, ACE.

Presenters included Bryan Cranston, Ruben Östlund, Lisa Ann Walter, Sanaa Lathan, Adam Shankman and more.

Here is the full list of winners of the 73rd Annual ACE Eddie Awards.

BEST EDITED FEATURE FILM (Drama, Theatrical)

• All Quiet on the Western Front – Sven Budelmann, BFS
• Elvis – Matt Villa, ACE ASE and Jonathan Redmond
• TÁR – Monika Willi
• Top Gun: Maverick – Eddie Hamilton, ACE – WINNER
• The Woman King – Terilyn A. Shropshire, ACE

BEST EDITED FEATURE FILM (Comedy, Theatrical)

• The Banshees of Inisherin – Mikkel E.G. Nielsen, ACE
• Everything Everywhere All at Once – Paul Rogers – WINNER
• Glass Onion: A Knives Out Mystery – Bob Ducsay, ACE
• The Menu – Christopher Tellefsen, ACE
• Triangle of Sadness – Ruben Östlund and Mikel Cee Karlsson

BEST EDITED ANIMATED FEATURE FILM (Theatrical or Non-Theatrical):

• The Bad Guys – John Venzon, ACE
• Guillermo del Toro’s Pinocchio – Ken Schretzmann, ACE and Holly Klein – WINNER
• Marcel the Shell with Shoes On – Dean Fleischer-Camp and Nick Paley
• Puss in Boots: The Last Wish – James Ryan, ACE
• Turning Red – Nicholas C. Smith, ACE

BEST EDITED DOCUMENTARY (Theatrical):

• All the Beauty and the Bloodshed – Amy Foote, Joe Bini, Brian A. Kates, ACE
• Fire of Love – Erin Casper, Jocelyne Chaput – WINNER
• Good Night Oppy – Helen Kearns, ACE, Rejh Cabrera
• Moonage Daydream -Brett Morgen
• Navalny – Langdon Page, Maya Hawke

BEST EDITED DOCUMENTARY (Non-Theatrical):

• The Andy Warhol Diaries: “Collab: Andy & Basquiat” – Steve Ross
• George Carlin’s American Dream – Joe Beshenkovsky, ACE – WINNER
• The Last Movie Stars: “Luck is an Art” – Barry Poltermann
• Luci and Desi – Robert A. Martinez
• Pelosi in the House – Geof Bartz, ACE

BEST EDITED MULTI-CAMERA COMEDY SERIES:

• The Conners: “Of Missing Minds and Missing Fries” – Brian Schnuckel, ACE
• How I Met Your Father: “Timing is Everything” – Susan Federman, ACE
• The Neighborhood: “Welcome to the Art of Negotiation” – Chris Poulos – WINNER

BEST EDITED SINGLE CAMERA COMEDY SERIES:

• Atlanta: “Andrew Wyeth. Alfred’s World.” – Kyle Reiter, ACE and Isaac Hagy, ACE
• Barry: “710N” – Franky Guttman
• Barry: “Starting Now” – Ali Greer
• The Bear: “System” – Joanna Naugle – WINNER
• Only Murders in the Building: “I Know Who Did It” – Shelly Westerman, ACE and Payton Koch

BEST EDITED DRAMA SERIES:

• Andor: “One Way Out” – Simon Smith – WINNER
• Euphoria: “Stand Still Like the Hummingbird” – Aaron I. Butler, ACE and Julio Perez IV, ACE
• Euphoria: “The Theater and Its Double” – Laura Zempel, Julio Perez IV, ACE and Nikola Boyanov
• Severance: “In Perpetuity” – Geoffrey Richman, ACE and Erica Freed Marker, ACE
• Severance: “The We We Are” – Geoffrey Richman, ACE

BEST EDITED FEATURE FILM (NON-THEATRICAL):

• Fire Island – Brian A. Kates, ACE
• Hocus Pocus 2 – Julia Wong, ACE
• A Jazzman’s Blues – Maysie Hoy, ACE
• Prey – Angela M. Catanzaro, A.C.E. and Claudia Castello
• Weird: The Al Yankovic Story – Jamie Kennedy – WINNER

BEST EDITED LIMITED SERIES:

• Gaslit: “Year of the Rat” – Joe Leonard, ACE
• Obi-Wan Kenobi: “Part VI” – Kelley Dixon, ACE and Josh Earl, ACE
• Station Eleven: “Unbroken Circle” – Anna Hauger, ACE; David Eisenberg, Yoni Reiss and Anthony McAfee
• The White Lotus: “Abduction”  – Heather Persons, ACE
• The White Lotus: “Arrivederci” – John M. Valerio ACE – WINNER

BEST EDITED NON-SCRIPTED SERIES:

• Deadliest Catch: “Sailor’s Delight” – Isaiah Camp, ACE; Joe Mikan, ACE; Alexander Rubinow, ACE
• Formula 1: Drive to Survive: “Hard Racing” – Cassie Bennitt, Matt Rudge, Duncan Moir, Nic Zimmerman, Jack Foxton, Neil Clarkson
• Vice: “Killing for Success & Marcos Returns” – Paula Salhany, Brandon Kiefer, Andrew Pattison, Catherine Lee, Victoria Lesiw – WINNER

BEST EDITED VARIETY TALK/SKETCH SHOW OR SPECIAL:

• A Black Lady Sketch Show: “Save My Edges, I’m A Donor!” – Stephanie Filo, ACE; Bradinn French, Taylor Mason, S. Robyn Wilson – WINNER
• Last Week Tonight with John Oliver: “Police Interrogations” – Anthony Miale, ACE; Ryan Barger
• My Next Guest Needs No Introduction with David Letterman: “Volodymyr Zelenskyy Special”  – Cori Wapnowska, Jon Higgins

BEST EDITED ANIMATED SERIES:

• Big Mouth: “Dadda Dia!” – Felipe Salazar
• Bob’s Burgers: “Some Like It Bot Part 1: Eighth Grade Runner” – Jeremy Reuben, ACE
• Love, Death & Robots: “Bad Travelling” – Kirk Baxter, ACE – WINNER

ANNE V. COATES AWARD FOR STUDENT EDITING:

• Adriana Guevara – New York University
• Jazmin Jamias – American Film Institute – WINNER
• Tianze Sun – American Film Institute

• Author
• Recent Posts

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

Latest posts by Erik Anderson (see all)

• 2025 Cinema Eye Honors Nominations: ‘Sugarcane,’ ‘Dahomey,’ ‘No Other Land’ Lead Documentary/Nonfiction Awards - November 14, 2024
• 2025 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (November) - November 14, 2024
• Adrien Brody to Receive Desert Palm Achievement Acting Award from Palm Springs International Film Awards - November 14, 2024