Aladdin, Ford v Ferrari, The Mandalorian among Art Directors Guild (ADG) nominations

The Art Directors Guild (ADG, IATSE Local 800) has announced nominations for the 24^th Annual Excellence in Production Design Awards in theatrical motion pictures, television, commercials, music videos and animation features.

In film, which is spread across three live-action and one animated categories, Ford v Ferrari, Jojo Rabbit, Aladdin, Star Wars: The Rise of Skywalker, A Beautiful Day in the Neighborhood and Parasite were among the nominees.

In television, The Mandalorian, The Crown, The Marvelous Mrs. Maisel, Fosse/Verdon and The Good Place earned mentions.

Winners will be honored at the 2020 Awards at the InterContinental Los Angeles Downtown on Saturday, February 1, 2020. Today’s announcement was made by Art Directors Guild President Nelson Coates, ADG, and Awards Producer Scott Moses, ADG.

Here is the full list of nominations for film and television. There was a tie in Period Film and Fantasy Film, resulting in six nominees in each category.

PERIOD FILM
Ford v Ferrari, Production Designer: François Audouy
The Irishman, Production Designer: Bob Shaw
Jojo Rabbit, Production Designer: Ra Vincent
Joker, Production Designer: Mark Friedberg
1917, Production Designer: Dennis Gassner
Once Upon a Time… in Hollywood, Production Designer: Barbara Ling

FANTASY FILM
Ad Astra, Production Designer: Kevin Thompson
Aladdin, Production Designer: Gemma Jackson
Avengers: Endgame, Production Designer: Charles Wood
Dumbo, Production Designer: Rick Heinrichs
Maleficent: Mistress of Evil, Production Designer: Patrick Tatopoulos
Star Wars: The Rise of Skywalker, Production Designers: Rick Carter, Kevin Jenkins

CONTEMPORARY FILM 
A Beautiful Day in the Neighborhood, Production Designer: Jade Healy
John Wick: Chapter 3 – Parabellum, Production Designer: Kevin Kavanaugh
Knives Out, Production Designer: David Crank
Parasite, Production Designer: Lee Ha-Jun
Us, Production Designer: Ruth De Jong

ANIMATED FILM
Abominable, Production Designer: Max Boas
Frozen II, Production Designer: Michael Giaimo
How To Train Your Dragon: The Hidden World, Production Designer: Pierre-Olivier Vincent
The Lion King, Production Designer: James Chinlund
Toy Story 4, Production Designer: Bob Pauley

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR TELEVISION ARE:

ONE-HOUR PERIOD OR FANTASY SINGLE-CAMERA SERIES
A Series of Unfortunate Events: “Penultimate Peril: Part 1,” Production Designer: Bo Welch
The Crown: “Aberfan,” Production Designer: Martin Childs
Game of Thrones: “The Bells,” Production Designer: Deborah Riley
The Mandalorian: “Chapter One,” Production Designer: Andrew L. Jones
The Marvelous Mrs. Maisel: “Ep. 305, Ep. 308,” Production Designer: Bill Groom

ONE-HOUR CONTEMPORARY SINGLE-CAMERA SERIES
Big Little Lies: “What Have They Done?” “The Bad Mother,” “I Want
 to Know,” Production Designer: John Paino
The Boys: “The Female of the Species,” Production Designer: Dave Blass
Euphoria: “The Trials and Tribulations of Trying to Pee While Depressed,” 
“And Salt the Earth Behind You,” Production Designer: Kay Lee
The Handmaid’s Tale: “Mayday,” Production Designer: Elizabeth Williams
The Umbrella Academy: “We Only See Each Other at Weddings and 
Funerals,” Production Designer: Mark Worthington

TELEVISION MOVIE OR LIMITED SERIES
Black Mirror: “Striking Vipers,” Production Designer: Anne Beauchamp
Catch-22, Production Designer: David Gropman
Chernobyl, Production Designer: Luke Hull
Deadwood: The Movie, Production Designer: Maria Caso
Fosse/Verdon, Production Designer: Alex DiGerlando

HALF HOUR SINGLE-CAMERA SERIES
Barry: “ronny/lily,” Production Designer: Tyler B. Robinson
Fleabag: “Ep. 5,” Production Designer: Jonathan Paul Green
GLOW: “Up, Up, Up,” Production Designer: Todd Fjelsted
The Good Place: “Employee of the Bearimy,” “Help Is Other People,” Production Designer: Ian Phillips
Russian Doll: “Nothing in This World is Easy,” Production Designer: Michael Bricker

MULTI-CAMERA SERIES
The Big Bang Theory: “The Stockholm Syndrome,” “The Conference 
Valuation,” “The Propagation Proposition,” Production Designer: John Shaffner
The Cool Kids: “Vegas, Baby!,” Production Designer: Stephan Olson
Family Reunion: “Remember Black Elvis?,” Production Designer: Aiyanna Trotter
No Good Nick: “The Italian Job,” Production Designer: Kristan Andrews
Will & Grace: “Family, Trip,” “The Things We Do for Love,” “Conscious 
Coupling,” Production Designer: Glenda Rovello

SHORT FORMAT: WEB SERIES, MUSIC VIDEO OR COMMERCIAL
Apple: “It’s Tough Out There,” Production Designer: Quito Cooksey
Ariana Grande, Miley Cyrus, Lana Del Rey: “Don’t Call Me Angel,” Production Designer: Emma Fairley
MedMen: “The New Normal,” Production Designer: James Chinlund
Portal for Facebook: “A Very Muppet Portal Launch,” Production Designer: Alex DiGerlando
Taylor Swift: “Lover,” Production Designer: Kurt Gefke

VARIETY, REALITY OR EVENT SPECIAL
Drunk History: “Are You Afraid of the Drunk?,” Production Designer: Monica Sotto
91^st Oscars, Production Designer: David Korins
Rent: Live, Production Designer: Jason Sherwood
Saturday Night Live: “1764 Emma Stone,” “1762 Sandra Oh,” “1760 John 
Mulaney,” Production Designers: Keith Raywood, Akira Yoshimura, Joe DeTullio, 
Eugene Lee
Taylor Swift Reputation Stadium Tour, Production Designers: Tamlyn Wright, Baz Halpin

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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