‘In the Hand of Dante’ Review: Julian Schnabel’s Less Than Divine Comedy of Errors Belongs in the 9th Circle of Hell [D+] Venice
The opening music for Julian Schnabel’s In the Hand of Dante, an audacious but ruinously messy epic which takes place across seven centuries and has... Read More
Adam Solomons
Adam Solomons is a critic and journalist who combines his love of cinema with an insatiable hunger for news and politics. Day-to-day he’s a producer at Times Radio, with The Times of London. Adam is a Rotten Tomatoes-approved critic with bylines at Sight & Sound, Indiewire, and more. His favorite movie is still Toy Story 2.
‘Landmarks’ Review: Lucrecia Martel’s First Foray into Nonfiction is an Indignant Look at Injustice in Argentina [B] Venice
The acclaimed filmmaker goes close to home with the story of an indigenous landowner killed by developers – and their subsequent, often kafkaesque trial At... Read More
‘The Wizard of the Kremlin’ Review: Jude Law’s Whiny Putin is Rare Highlight of Olivier Assayas’s Messy, Bloated Russia Drama [C+] Venice
The French director adapts an award-winning French novel about a fictional adviser to Vladimir Putin – to underwhelming results Most of what’s good in The... Read More
‘No Other Choice’ Review: Park Chan-wook’s Jet Black Comedy Reminds Us Why He’s One of the Best in the Game [B+] Venice
The first sign of violence in No Other Choice comes when our protagonist, paper factory manager You Man-su (Lee Byung-hun) explains the difference between losing... Read More
‘Ghost Elephants’ Review: Werner Herzog Adds Characteristic Existential Poignancy to Entertaining Nature Doc [B] Venice
Werner Herzog’s irreverent stoicism, which seems to get an ounce cheekier every year, does some heavy lifting in a documentary which might otherwise border on... Read More
‘Mistress Dispeller’ Review: Provocative Doc Follows a Woman Investigating Her Husband’s Infidelity | TIFF
In 2000, less than one-tenth of Chinese men and women (mostly men) cheated on their spouse. Some experts have blamed the ballooning economy for the... Read More
‘The Theory of Everything’ Review: Timm Kroeger’s Sophomore Feature is a Pulpy Adventure, as Impressive as it is Baffling | Venice
You can tell that Timm Kroeger was a cinematographer before he was a director. The German filmmaker’s second feature, following 2014’s well-regarded The Council of... Read More
‘The Killer’ Review: Stop Me If You Think You’ve Heard This One Before | Venice
That The Killer is David Fincher’s first film with a runtime under two hours in more than twenty years is a telling sign of its... Read More
‘The Wonderful Story of Henry Sugar’ Review: Wes Anderson’s First of Four New Adaptations of Roald Dahl Shorts Heralds a New Era for the Filmmaker | Venice
The first of four Roald Dahl short stories adapted by Wes Anderson as part of Netflix’s reported half-a-billion-dollar deal with the Dahl Estate, The Wonderful... Read More
‘Ferrari’ Review: Michael Mann’s Return is a Propulsive, Poignant Look at a Legend’s Most Turbulent Period | Venice
Ferrari is Modena, and Modena is Ferrari. The small city in Northern Italy has a medieval centre with red roofs and a white clock tower... Read More
Seattle Film Critics Society (SFCS) Nominations: ‘Sinners’ Leads with Record-Tying 14 
AwardsWatch Podcast Ep. 318 – The First Week of Awards Season with Critics Choice, Spirit Awards Nominations; NYFF, NBR, Gotham Winners 
Critics Choice Awards TV Nominations: ‘Adolescence’ Leads, Followed by ‘Nobody Wants This’ 
Michigan Movie Critics Guild Nominations: ‘One Battle After Another’ Leads with 12