‘Woman Of…’ Review: Małgorzata Szumowska and Michał Englert Manage a Delicate Balancing Act in Portrayal of Trans Life in Poland | Venice
Małgorzata Szumowska and Michał Englert have frequently made reference to Poland’s lack of progress with regards to LGBT rights – the lone EU member state... Read More
Calvin Law
Calvin Law is a film enthusiast based in Hong Kong, with an undergraduate degree in English literature and a master’s in Film Studies from the UK. He has been covering a broad range of cinema and awards seasons across the years, mainly on his personal page Reel and Roll, as well as writing for outlets such as AwardsWatch, Next Best Picture and The Asian Cut. You can find him on Twitter (@reelandroll), Instagram (@reelandroll_films) and Letterboxd (CalvinLaw).
‘Lubo’ Review: Franz Rogowski is Extraordinary in Giorgio Diritti’s Sometimes Brutal Work | Venice
‘You will devote your life to conquering death’: so is foretold to the titular protagonist of Giorgio Diritti’s Lubo (Franz Rogowski) before he embarks on... Read More
‘Origin’ Review: Aunjanue Ellis-Taylor’s Stunning Performance Drives Ava DuVernay’s Story of the American Caste System | Venice
Examining non-fictional source material through its process of creation is always a fascinating endeavour. Ava DuVernay has adapted Pulitzer Prize-winning journalist and author Isabel Wilkerson’s... Read More
‘Green Border’ Review: Agnieszka Holland’s Devastating and Incisive Portrait of the Belarus-Poland Refugee Crisis | Venice
“They have been watching us for 10 years. No one did anything,” bitterly remarks Syrian refugee Bashir (Jalal Altawil) when asked by activists to show... Read More
2025 Oscar Predictions: FILM EDITING, CINEMATOGRAPHY, COSTUME DESIGN, PRODUCTION DESIGN (November) 
2024 SFFILM Awards Night to Honor Denis Villeneuve, Demi Moore, Malcolm Washington, Jason Reitman 
2024 European Film Awards Craft Winners: ‘Emilia Pérez,’ ‘The Substance,’ ‘The Girl With the Needle’ 
Interview: Cinematographer Edward Lachman (‘Maria’) on Filming at La Scala, Capturing Angelina Jolie and Why He’ll Always Shoot on Film