AwardsWatch’s theater correspondent Dan Bayer looks at the field and thinks Leopoldstadt, Topdog/Underdog, Kimberly Akimbo and non-binary performers will end up as top winners The... Read More
Daniel Bayer
Daniel Bayer has been in love with movies all his life, in love with the theater since he could sit still, and in love with tap dance since seeing Singin' in the Rain at nine years old. A nationally-ranked dancer in his teens, his theater credits are many and varied, both behind and on the stage. He now spends his days as a non-profit database manager and the rest of his time seeing, writing about, and talking about movies and theater. He is a proud member of GALECA: The Society of LGBTQ Entertainment Critics. You can find him on the AwardsWatch and Next Best Picture podcasts, and on Twitter @dancindanonfilm.
Creativity fascinates Zachary Wigon. “I love reading books about creativity and how it functions. It’s so interesting and so mysterious.” In the eight years since... Read More
With seventeen new plays and six revivals eligible for Tony consideration this season, there’s a lot to wade through this year. And yet, in a... Read More
Theater lovers, we did the thing: We made it through another theatrical season of musicals, comedies, and plenty of drama! From the nastiness erupting in... Read More
Robert Montague Renfield (Nicholas Hoult) is having a tough time. He was lured by the immortal vampire Count Dracula (Nicolas Cage) into being his familiar... Read More
Despite how often critics rail against the practice, there’s nothing inherently wrong with making a film adapting a piece of pre-existing IP. In theory, at... Read More
“This is a career ending kind of makeup.” That is what was on makeup prosthetics designer Adrien Morot’s mind when Darren Aronofsky asked him to... Read More
Well, you certainly can’t accuse the makers of Cocaine Bear of making any false promises – the film is indeed about a bear that does... Read More
Anna Kendrick was looking for a change. “I knew that I wanted to kind of stretch away from the kind of performances that I’d been... Read More
It remains one of the most effective stylistic gambits in cinema history: Over the course of five cuts in about two seconds, we watch as... Read More