There’s a famous Tolstoy quote that says, “Happy families are all alike; every unhappy family is unhappy in its own way.” And yet, The Royal... Read More
Daniel Joyaux
Daniel Joyaux has been writing professionally about film and the Oscars since 2016, and his work has appeared in Vanity Fair, The Verge, IndieWire, MovieMaker Magazine, Filmotomy, The Detroit Free Press, NextBestPicture, and Backstreets. He has also worked for several film festivals, including three years as a publications editor for Sundance, two years as a screener for AFI Fest, and in various other capacities for Midwest festivals like Traverse City, Milwaukee, Freep, and Cinetopia. You can subscribe to Daniel's twice-a-month newsletter of movie streaming recommendations at ThirdManMovies.com.

The sneaky universality of ‘The Royal Tenenbaums’ [Retrospective]
‘Flies (Moscas)’ Review: To Be a Fly on the Wall is to See All in Fernando Eimbcke’s Quiet Family Drama [B-] Berlinale
‘The Blood Countess’ Review: Isabelle Huppert’s Glamorous Vampire Mother Rises Above Baroque Bungle [C-] Berlinale
Irish Film & Television Academy (IFTA) Awards: ‘Hamnet’ Tops Wins, ‘Christy’ Nabs Best Irish Film
8th Kodak Film Awards Recipients: Kristen Stewart, Joachim Trier, Autumn Durald Arkapaw and More