Netflix has released a new trailer for Jacques Audiard’s Emilia Pérez, winner of the Jury Prize and Best Actress award for Karla Sofía Gascón, Zoe... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
It’s just a matter of days before the curtain is peeled back on a host of fall and winter releases debuting at the Venice and... Read More
On episode 249 of the AwardsWatch Podcast it’s another all editors edition as yours truly, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor... Read More
Category placement can be tricky, especially without confirmations and there are a few contenders who might be straddling the line a bit. The Venice and... Read More
The cast of Emilia Pérez – Karla Sofía Gascón, Zoe Saldaña, Selena Gomez and Adriana Paz – will receive the MVFF Ensemble Spotlight Award at... Read More
All film awards to be announced at Festival close on September 15 TIFF has announced its 2024 award categories, jury members, and prizes to celebrate... Read More
World premieres of restorations include Ardak Amirkulov’s The Fall of Otrar, Zeinabu irene Davis’s Compensation, Raymond Depardon’s Reporters, John Hanson and Rob Nilsson’s Northern Lights, and Robina Rose’s Nightshift Film... Read More
Netflix today released the first trailer for Malcolm Washington’s The Piano Lesson, the latest of August Wilson’s award-winning plays to be brought to the screen... Read More
Award-winning studio NEON announced today that it has picked up the U.S. rights to Hell of a Summer from Finn Wolfhard (Stranger Things, It, Ghostbusters: Afterlife) and Billy Bryk... Read More
Daniel Craig remains a top contender for Queer despite still having no distributor announcement for the Luca Guadagnino film just a week ahead of the... Read More

New ‘Emilia Pérez’ Trailer with Cannes Best Actress Winners Karla Sofía Gascón, Zoe Saldaña, Selena Gomez and Adriana Paz
2025 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (August)
AwardsWatch Podcast Ep. 249: 2024 Telluride Film Festival Preview and Predictions with Guest Christina Birro of Pop Culture Confidential
2025 Oscar Predictions: SUPPORTING ACTRESS (August)
‘Emilia Pérez’ to Receive MVFF Ensemble Spotlight Award at 47th Mill Valley Film Festival
TIFF 2024 Announces Juries and Awards Categories, Return of Canadian Discovery Award
NYFF62 Revivals Section Includes Frederick Wiseman’s ‘Model,’ Marva Nabili’s ‘The Sealed Soil,’ Clive Barker’s ‘Hellraiser’
Blood is a Chord in First Trailer for Malcom Washington’s ‘The Piano Lesson’
NEON Snaps Up U.S. Rights to Finn Wolfhard and Billy Bryk’s Horror Comedy ‘Hell of a Summer’
2025 Oscar Predictions: BEST ACTOR (August)
37th Producers Guild Awards (PGA) – Winners Updating
57th NAACP Image Awards: ‘Sinners’ Dominates, Michael B. Jordan Named Entertainer of the Year
76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’