FINAL 2023 Oscar Predictions: COSTUME DESIGN
As I mentioned in my Production Design predictions, Catherine Martin is 2/2 in this category and PD (for 2001’s Moulin Rouge! and 2013’s The Great... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
FINAL 2023 Oscar Predictions: PRODUCTION DESIGN
With Art Directors Guild (ADG), BAFTA and Critics’ Choice, Babylon is the film to beat for Production Design. While the first Avatar won this category... Read More
FINAL 2023 Oscar Predictions: VISUAL EFFECTS
In what should be the easiest victory of the night, Avatar: The Way of Water should swim away with the win for Visual Effects are... Read More
FINAL 2023 Oscar Predictions: ANIMATED SHORT, DOCUMENTARY SHORT and LIVE ACTION SHORT
Animated Short Film is a shining category this year with two films I think that are battling it out: Annie and BAFTA winner The Boy,... Read More
FINAL 2023 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM
With the Annie, BAFTA, Critics’ Choice, Golden Globe and Producers Guild under its belt, Guillermo del Toro’s Pinocchio is one of the most solid bets... Read More
25th Costume Designers Guild (CDG) awards: ‘Elvis,’ ‘Everything Everywhere All At Once,’ ‘The Crown’ win top honors
The Costume Designers Guild (CDG), IATSE Local 892, celebrating the best costume design in film and television for 2022, held their 25th annual awards this evening... Read More
70th Motion Picture Sound Editors (MPSE) Golden Reel Awards: ‘Top Gun: Maverick,’ ‘Elvis,’ ‘The Banshees of Inisherin’ lead film wins
The Motion Picture Sound Editors (MPSE) revealed their winners for its 70th annual Golden Reel Awards in categories spanning feature film, television, animation, video games, music and... Read More
29th Screen Actors Guild (SAG) Awards: ‘Everything Everywhere All At Once’ makes history with four wins
The 29th Screen Actors Guild Awards were handed out tonight where A24’s Everything Everywhere All At Once swept with a history-making four wins: Cast, Female... Read More
50th Annie Awards: ‘Guillermo del Toro’s Pinocchio,’ ‘Marcel the Shell with Shoes On’ take top wins
Guillermo del Toro’s Pinocchio was named Best Feature at the 50th Annie Awards on Saturday night, also taking home wins for direction, character animation, music and... Read More
34th Producers Guild Awards (PGA): ‘Everything Everywhere All At Once’ wins top prize
Everything Everywhere All At Once has won Producers Guild of America (PGA) award for theatrical feature film. Since the era of the Oscar Best Picture... Read More
76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins 
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’ 
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942) 
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)