A juicy selection of Oscar shortlisted contenders for Makeup & Hairstyling, several of which have broad support among the top precursors: BAFTA, Critics’ Choice and... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
The 28th Critics Choice Awards have chosen Everything Everywhere All At Once as Best Picture of 2022, also awarding the film Best Director (Daniel Kwan... Read More
Everything Everywhere All At Once has topped the 2022 Georgia Film Critics Association (GFCA) winners list with 7 awards, including Best Picture, Director, three main... Read More
The Hawaii Film Critics Society (HFCS) have announced their 2022 film winners with Everything Everywhere All At Once taking their Best Picture, Director, Supporting Actor... Read More
Cinema Eye Honors, the organization founded in 2007 to celebrate outstanding artistry and craft in nonfiction filmmaking, spread the wealth their winners its 16th Annual... Read More
The Society of LGBTQ Entertainment Critics today announced its 14th Dorian Film Awards nominations. The mind-bending comedy Everything Everywhere All at Once from the directing duo of... Read More
The Producers Guild of America (PGA) announced their nominees for the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures and some very... Read More
The NAACP has announced their nominees across film, music, television, literary categories and more where Black Panther: Wakanda Forever and The Woman King lead for... Read More
Everything Everywhere All At Once has been chosen as 2022’s best film by the Iowa Film Critics Association (IFCA). The film’s directors, Daniel Kwan and... Read More
The Denver Film Critics Society (DFCS) have announced their nominations for the best in film in 2022 where Everything Everywhere All At Once leads with... Read More

FINAL 2023 Oscar Nomination Predictions: MAKEUP & HAIRSTYLING
28th Critics’ Choice Awards: ‘Everything Everywhere All At Once’ wins Best Picture; ‘Better Call Saul,’ ‘Abbott Elementary’ take TV prizes
2022 Georgia Film Critics Association (GFCA) winners
2022 Hawaii Film Critics Society (HFCS) awards: Mia Goth wins Best Actress for ‘Pearl’
16th Cinema Eye Honors (CEH) documentary awards: ‘All That Breathes,’ takes top prize; ‘Fire of Love’ wins three
Society of LGBTQ Entertainment Critics (GALECA) Dorian Film Awards nominations: ‘Everything Everywhere All At Once,’ ‘TÁR,’ ‘Aftersun’ lead
Producers Guild of America (PGA) awards: ‘The Whale’ surprises, ‘The Woman King,’ ‘Women Talking’ miss
54th NAACP Image Awards: ‘Black Panther: Wakanda Forever,’ ‘The Woman King’ lead film nominees; women dominate Entertainer of the Year
2022 Iowa Film Critics Association (IFCA) winners
2022 Denver Film Critics Society (DFCS) nominations
Kate Hudson on Honoring Claire Sardina and Going Back to Her Musical Roots in ‘Song Sung Blue’ [VIDEO INTERVIEW]
FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry