As alluring as it sounds to have a category like cinematography be composed entirely of first-time nominees, it’s not going to happen. Regardless of branch,... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
The Trial of the Chicago 7 makes a jump over Mank, just as it did in original screenplay, as it feels like it just might... Read More
This year, the first we go back to a single Sound category (a terrible idea), is going to offer us a lot of variety even... Read More
Although most of the action in Ma Rainey’s Black Bottom takes place in just a few locations, I think the film will have more broad... Read More
All is quiet on the visual effects front this month. Too quiet. No movement at all in the top 10 but that’s what happens when... Read More
Jumping into the top 5 this month are moves from Bill & Ted Face the Music (this branch lovvves old man makeup) and a debut... Read More
The United States vs Billie Holiday makes a move into the top 5 this month, just edging out The Personal History of David Copperfield. It... Read More
I’m still banking on Diane Warren being a top contender but despite having three songs in possible contention, I’m going to work on the assumption... Read More
With critics wins from Boston Online, Chicago, Florida and Los Angeles it’s an easy call to keep Trent Reznor & Atticus Ross’s score for Soul... Read More
One of the contentious of the major categories, Original Screenplay is so full of exciting, bracing content it’s practically bursting at the seams. I’ve begun... Read More

2021 Oscar Predictions: CINEMATOGRAPHY (December)
2021 Oscar Predictions: FILM EDITING (December)
2021 Oscar Predictions: SOUND (December)
2021 Oscar Predictions: PRODUCTION DESIGN (December)
2021 Oscar Predictions: VISUAL EFFECTS (December)
2021 Oscar Predictions: MAKEUP and HAIRSTYLING (December)
2021 Oscar Predictions: COSTUME DESIGN (December)
2021 Oscar Predictions: ORIGINAL SONG (December)
2021 Oscar Predictions: ORIGINAL SCORE (December)
2021 Oscar Predictions: ORIGINAL SCREENPLAY (December)
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Cinema Audio Society (CAS) Unveils Recipients for Inaugural Jeffrey S. Wexler Award for Advancement in Sound Technology
41st Spirit Awards Winner Predictions: In One of the Least Oscary Years in a Decade, it’s Anyone’s Game
Matt Johnson and Jay McCarrol on the Unlikely, Legally-Challenged Journey of Getting ‘Nirvanna The Band The Show The Movie’ to the Big Screen [VIDEO INTERVIEW]