Last night was the premiere of Netflix’s Ma Rainey’s Black Bottom, one of the year’s most anticipated films and the final film from the late... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
NEON announced today that they have acquired U.S. rights to Andrei Konchalovsky’s Dear Comrades!, which premiered at the Venice Film Festival where it won the Special Jury Prize. Written... Read More
The show addresses the issue of Jenny Slate voicing a Black character in early episodes Netflix’s Emmy-nominated animated hit Big Mouth is set to return... Read More
You could feel it coming. After months of wondering how Hillbilly Elegy was going to land with critics and with it, the potential Oscar hopes... Read More
Saban Films has acquired US and Canadian rights to Jaume Balagueró’s The Vault [previously Way Down] starring Famke Janssen (X-Menfranchise), Sam Riley (Pride and Prejudice and Zombies, Maleficent),... Read More
Beginning Thursday, November 26, HBO Max premieres a new romantic reality series set in a winter wonderland, 12 Dates of Christmas from Sam Dean (showrunner... Read More
Experiential cinema in its purest form, Gunda chronicles the unfiltered lives of a mother pig, a flock of chickens, and a herd of cows with... Read More
Inviting us into a vibrant and wondrous world, HBO Max’s Full Bloom finds ten talented and innovative up-and-coming florists bringing their spectacular creative visions to... Read More
Solstice Studios will release a new cut of Mark Wahlberg’s latest film under the new title Joe Bell on February 19, 2021, timed to this year’s delayed... Read More
The Producers Guild of America has moved some of its key dates and deadlines for its 32nd annual Producers Guild of America Awards, which will be held... Read More

Viola Davis and Chadwick Boseman are tuned for Oscar gold with ‘Ma Rainey’s Black Bottom’
NEON nabs US rights to Russian Oscar submission ‘Dear Comrades!’
Trailer: ‘Big Mouth’ returns December 4 new guest stars and a focus on teen anxiety
Frontrunner Friday Oscar Predictions: Extremely Loud and Incredibly Glenn Close
Saban Films locks in Jaume Balagueró’s ‘The Vault’ with Famke Janssen, Sam Riley, Freddie Highmore
Cozy up this holiday season with ’12 Dates of Christmas’ narrated by Natasha Rothwell
Trailer: Joaquin Phoenix-produced ‘Gunda’ intimately examines sentience within animal species’
HBO Max’s ‘Full Bloom’ wants to find the next top florist
Mark Wahlberg’s ‘Joe Bell’ gets a new name, new cut and an Oscar-friendly release date
Producers Guild moves deadlines for 2021 awards
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Cinema Audio Society (CAS) Unveils Recipients for Inaugural Jeffrey S. Wexler Award for Advancement in Sound Technology
41st Spirit Awards Winner Predictions: In One of the Least Oscary Years in a Decade, it’s Anyone’s Game
Matt Johnson and Jay McCarrol on the Unlikely, Legally-Challenged Journey of Getting ‘Nirvanna The Band The Show The Movie’ to the Big Screen [VIDEO INTERVIEW]