1917 or Ford v Ferrari? 1917 and Ford v Ferrari? The Sound categories, editing and mixing, could go a few ways. 1917 will take both,... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Parasite was named Best Picture by the Online Film and Television Association (OFTA) and led the field with seven wins overall. 1917 was next with... Read More
Boy oh boy, do we have a race here. Since the inception of the Animated Feature Oscar only one sequel has ever won – Toy... Read More
2015’s Ex Machina blew the doors off 35 years of the Visual Effects category being the first winner since 1970’s Tora! Tora! Tora! to win... Read More
One of Oscar night’s most locked categories, Bombshell is the overwhelming favorite here, having won all three MUAHs (the Make Up and Hairstylist guild) it... Read More
Like the International Feature Film branch, the Documentary branch has been the most notoriously insular and withholding branch of the Academy. Continued pressure to change... Read More
Whether it’s critics or the Academy themselves, each of this category (formerly called Foreign Language Film) there seems to be one film that is propped... Read More
This year’s shorts have some high-profile films (Pixar) and subject matter (like the basic human rights of women and girls) that all stand a good... Read More
Sam Mendes’ WWI epic 1917 was the big winner at the 2020 BAFTAs, winning seven of its nine nominations in a near sweep including Best... Read More
Minari, Lee Isaac Chung’s semi-autobiographical tale of his upbringing in rural Arkansas, has won the 2020 Sundance Film Festival Grand Jury Prize, it was announced... Read More

Final 2020 Oscar Predictions – SOUND EDITING and SOUND MIXING
‘Parasite’ to Online Film and Television Association (OFTA) winners
Final 2020 Oscar Predictions – ANIMATED FEATURE
Final 2020 Oscar Predictions – VISUAL EFFECTS
Final 2020 Oscar Predictions – MAKEUP and HAIRSTYLING
Final 2020 Oscar Predictions – DOCUMENTARY FEATURE
Final 2020 Oscar Predictions – INTERNATIONAL FEATURE FILM
Final 2020 Oscar Predictions – ANIMATED SHORT, LIVE ACTION SHORT, DOCUMENTARY SHORT SUBJECT
2020 BAFTA Awards: ‘1917’ is the big winner; Joaquin Phoenix gives impassioned speech on lack of diversity
‘Minari,’ ’40-Year Old Version,’ ‘Boys State’ top 2020 Sundance Film Festival winners
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Cinema Audio Society (CAS) Unveils Recipients for Inaugural Jeffrey S. Wexler Award for Advancement in Sound Technology
41st Spirit Awards Winner Predictions: In One of the Least Oscary Years in a Decade, it’s Anyone’s Game
Matt Johnson and Jay McCarrol on the Unlikely, Legally-Challenged Journey of Getting ‘Nirvanna The Band The Show The Movie’ to the Big Screen [VIDEO INTERVIEW]