Disney’s new version of The Lion King was the big winner at the Visual Effects Society’s awards last night with four wins (of its five... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Chris Evans’ sweater in Knives Out, Taika Waititi’s Nazi uniforms in Jojo Rabbit and Angelina Jolie’s horns in Maleficent: Mistress of Evil were the winners... Read More
Nominations for the 26th annual Chlotrudis Awards were finalized by the film group’s nominating committee this past weekend, ahead of its March 22nd awards dinner... Read More
Full-Day Marathon Screenings of all Oscar®-Nominated Feature & Short Documentaries The International Documentary Association (IDA) has announced the line-up for DocuDay LA, its annual full-day... Read More
The 62nd annual Grammy Awards were held tonight and breakthrough artist Billie Eilish was the night’s biggest winner, taking Album of the Year, Record of... Read More
The 35th Annual Santa Barbara International Film Festival (SBIFF) officially closed out by putting the spotlight on Santa Barbara to highlight a series of short documentaries... Read More
The 56th annual Cinema Audio Society (CAS) Awards, which honor the outstanding achievements in sound mixing for 2019 were handed out tonight and Ford v Ferrari,... Read More
Greta Gerwig’s script for Little Women has won the USC Libraries Scripter Award for best film adaptation and Phoebe Waller-Bridge won the television award for... Read More
Roger Deakins has won his third American Society of Cinematographers (ASC) award of the decade (and 5th overall) tonight, this time for the ‘continuous shot’... Read More
Sam Mendes has won the 2020 Directors Guild of America (DGA) prize for Outstanding Directorial Achievement in Feature Film for his WWI epic 1917. This... Read More

‘The Lion King,’ ‘The Irishman,’ ‘The Mandalorian’ top Visual Effects Society (VES) winners
Costume Designers Guild (CDG) goes for ‘Jojo Rabbit,’ ‘Schitt’s Creek,’ ‘The Masked Singer’
Chlotrudis Nominations: ‘The Last Black Man in San Francisco’ leads with 9
IDA Announces DocuDay LA on February 8
62nd Grammy Awards: Billie Eilish makes history as youngest top 4 winner ever
35th Santa Barbara International Film Festival closes with Women’s Panel, Local Doc Shorts, Awards
Cinema Audio Society (CAS): ‘Ford v Ferrari,’ ‘Chernobyl’ top winners
2020 USC Scripter Award winners: ‘Little Women’ and ‘Fleabag’
2020 American Society of Cinematographers (ASC): Roger Deakins wins for ‘1917’
2020 Directors Guild of America (DGA): Sam Mendes wins for ‘1917’
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Cinema Audio Society (CAS) Unveils Recipients for Inaugural Jeffrey S. Wexler Award for Advancement in Sound Technology
41st Spirit Awards Winner Predictions: In One of the Least Oscary Years in a Decade, it’s Anyone’s Game
Matt Johnson and Jay McCarrol on the Unlikely, Legally-Challenged Journey of Getting ‘Nirvanna The Band The Show The Movie’ to the Big Screen [VIDEO INTERVIEW]