2015’s Ex Machina blew the doors off 35 years of the Visual Effects category being the first winner since 1970’s Tora! Tora! Tora! to win... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
One of Oscar night’s most locked categories, Bombshell is the overwhelming favorite here, having won all three MUAHs (the Make Up and Hairstylist guild) it... Read More
Like the International Feature Film branch, the Documentary branch has been the most notoriously insular and withholding branch of the Academy. Continued pressure to change... Read More
Whether it’s critics or the Academy themselves, each of this category (formerly called Foreign Language Film) there seems to be one film that is propped... Read More
This year’s shorts have some high-profile films (Pixar) and subject matter (like the basic human rights of women and girls) that all stand a good... Read More
Sam Mendes’ WWI epic 1917 was the big winner at the 2020 BAFTAs, winning seven of its nine nominations in a near sweep including Best... Read More
Minari, Lee Isaac Chung’s semi-autobiographical tale of his upbringing in rural Arkansas, has won the 2020 Sundance Film Festival Grand Jury Prize, it was announced... Read More
The 24th Art Directors Guild (ADGA) awards, celebrating Excellence in Production Design, were held tonight, and Parasite and Once Upon a Time in Hollywood topped... Read More
The 73rd Writers Guild of America awards have anointed Taika Waititi’s Jojo Rabbit and Bong Joon Ho’s Parasite as the best Adapted and Original Screenplays... Read More
The 24th Art Directors Guild (ADG) and the 72nd Writers Guild of America (WGA) awards will be held tonight and I have some thoughts on... Read More

Final 2020 Oscar Predictions – VISUAL EFFECTS
Final 2020 Oscar Predictions – MAKEUP and HAIRSTYLING
Final 2020 Oscar Predictions – DOCUMENTARY FEATURE
Final 2020 Oscar Predictions – INTERNATIONAL FEATURE FILM
Final 2020 Oscar Predictions – ANIMATED SHORT, LIVE ACTION SHORT, DOCUMENTARY SHORT SUBJECT
2020 BAFTA Awards: ‘1917’ is the big winner; Joaquin Phoenix gives impassioned speech on lack of diversity
‘Minari,’ ’40-Year Old Version,’ ‘Boys State’ top 2020 Sundance Film Festival winners
‘Parasite,’ ‘Once Upon a Time in Hollywood’ win 2020 Art Directors Guild (ADG) honors
2020 Writers Guild (WGA) Awards: ‘Parasite,’ ‘Jojo Rabbit,’ ‘Succession,’ ‘Watchmen’ lead wins
2020 Art Directors (ADG) and Writers Guild (WGA) Preview and Predictions
‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948)
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next?
BAFTA TV Awards Nominations: ‘Adolescence’ Still Has More Growing Up To Do