‘Bohemian Rhapsody’ poster and first look
20th Century Fox must be feeling pretty good about its Freddie Mercury biopic starring Rami Malek because the film’s poster dropped today along with a... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Cannes Review: Alice Rohrwacher’s ‘Lazzaro Felice’ is one of the fest’s best
[divider style=”normal” top=”20″ bottom=”20″] The first hour of Alice Rohrwacher’s third feature Lazzaro Felice (Happy as Lazzaro) are as languidly paced as a film could be.... Read More
Cannes Review: ‘Girl,’ the deeply humane debut from Lukas Dhont
[divider style=”normal” top=”20″ bottom=”20″] Lara is 15 going on 16 trans girl with dreams of being a professional ballerina in Lukas Dhont’s touching and humane... Read More
Cannes Review: ‘Border,’ Ali Abbasi’s thrilling supernatural gothic romance
[divider style=”normal” top=”20″ bottom=”20″] Ali Abbasi creates the grimmest of faerie tales as two outcasts find love in a hopeless place in this wild, wonderful,... Read More
Cannes Interview: Wanuri Kahiu on her film Rafiki and the future of African cinema
[divider style=”normal” top=”20″ bottom=”20″] Rafiki director Wanuri Kahiu comes from a line of strong, forward-thinking women. Her mother, a doctor, was one of the first... Read More
Ryan Coogler Talk Highlights Importance of Visibility and the Business of Filmmaking
[divider style=”normal” top=”20″ bottom=”20″] Ryan Coogler is the king. Of box office, that is. When his adaptation of the Marvel’s Black Panther comic book series... Read More
Annapurna sets Spring 2019 release for LAIKA’s ‘Missing Link’
LAIKA, the animation studio behind the Academy Award® nominated Kubo and the Two Strings, The Boxtrolls, ParaNorman, and Coraline, announces its fifth and most ambitious... Read More
Cannes Review: Paul Dano’s assured directorial debut ‘Wildlife’ starring Carey Mulligan and Jake Gyllenhaal
[divider style=”normal” top=”20″ bottom=”20″] The fracturing of an American family in 1960 is at the center of Wildlife (based on the novel by Richard Ford),... Read More
Cannes Review: Wanuri Kahiu’s touching if familiar lesbian romance ‘Rafiki’
[divider style=”normal” top=”20″ bottom=”20″] Kena, short for Makena (played by Samantha Mugatsia) lives in the Slopes district of Nairobi, Kenya with her at-home mom and... Read More
Cannes Review: Asghar Farhadi’s ‘Everybody Knows’ is too safe and too slow to engage
[divider style=”normal” top=”20″ bottom=”20″] Everybody Knows opens in an aging bell and clock tower of a quiet Spanish town. There are names of teenage paramours... Read More
From ‘Alien’ to ‘Gladiator,’ How Ridley Scott Uses His Own Legacy to Elevate IP Cinema 
2025 Oscar Predictions: BEST ACTOR (November) 
Nicole Kidman to Receive International Star Award for ‘Babygirl’ from Palm Springs International Film Awards 
‘Red One’ Review: The North Pole Has Fallen For Johnny Storm and The Rock