Jacques Audiard’s trans crime musical Emilia Pérez was the big winner at the 50th César Awards, France’s version of the Oscars, with six awards including... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
The Publicists of the International Cinematographers Guild (ICG, IATSE Local 600) announced winners of the 62nd Annual ICG Publicists Awards today at the Beverly Wilshire Hotel in... Read More
In what’s been the top Oscar race without a true frontrunner for most of the season now finds itself like every competition, we have a... Read More
The toughest above the line race of the season, as the roller coaster of accolades kept changing hands, giving us historic wins, memorable speeches and... Read More
For the longest time, Adrien Brody’s frontrunner status for The Brutalist was closely tied to what appeared early on to be the trajectory of the... Read More
The Animated Feature race comes down to two films, the indie success Flow and the studio box office blockbuster The Wild Robot. They’ve each volleyed... Read More
With the American Cinema Editors (ACE) not revealing their winners until nearly two weeks after the Oscars, their ability to be a proper precursor for... Read More
With its total domination in both Costume Design and Production Design precursors, the sheer volume and size of the work by Paul Tazewell, Nathan Crowley... Read More
One of the easiest wins of the night, Conclave comes into the Adapted Screenplay race with every precursor it was eligible for: BAFTA, Critics Choice,... Read More
With all precursors in hand – BAFTA, Critics Choice, Golden Globe and SAG – Kieran Culkin (A Real Pain) and Zoe Saldaña (Emilia Pérez) are... Read More

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