[divider style=”normal” top=”20″ bottom=”20″] Lara is 15 going on 16 trans girl with dreams of being a professional ballerina in Lukas Dhont’s touching and humane... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
[divider style=”normal” top=”20″ bottom=”20″] Ali Abbasi creates the grimmest of faerie tales as two outcasts find love in a hopeless place in this wild, wonderful,... Read More
[divider style=”normal” top=”20″ bottom=”20″] Rafiki director Wanuri Kahiu comes from a line of strong, forward-thinking women. Her mother, a doctor, was one of the first... Read More
[divider style=”normal” top=”20″ bottom=”20″] Ryan Coogler is the king. Of box office, that is. When his adaptation of the Marvel’s Black Panther comic book series... Read More
LAIKA, the animation studio behind the Academy Award® nominated Kubo and the Two Strings, The Boxtrolls, ParaNorman, and Coraline, announces its fifth and most ambitious... Read More
[divider style=”normal” top=”20″ bottom=”20″] The fracturing of an American family in 1960 is at the center of Wildlife (based on the novel by Richard Ford),... Read More
[divider style=”normal” top=”20″ bottom=”20″] Kena, short for Makena (played by Samantha Mugatsia) lives in the Slopes district of Nairobi, Kenya with her at-home mom and... Read More
[divider style=”normal” top=”20″ bottom=”20″] Everybody Knows opens in an aging bell and clock tower of a quiet Spanish town. There are names of teenage paramours... Read More
The 2018 Cannes Film Festival is this week and this page will be your updated Cannes at a Glance featuring links to reviews from myself... Read More
In this very first AwardsWatch Cannes Podcast, I am joined by Aaron Locke, who will be attending the festival for the first time. This will... Read More

Cannes Review: ‘Girl,’ the deeply humane debut from Lukas Dhont
Cannes Review: ‘Border,’ Ali Abbasi’s thrilling supernatural gothic romance
Cannes Interview: Wanuri Kahiu on her film Rafiki and the future of African cinema
Ryan Coogler Talk Highlights Importance of Visibility and the Business of Filmmaking
Annapurna sets Spring 2019 release for LAIKA’s ‘Missing Link’
Cannes Review: Paul Dano’s assured directorial debut ‘Wildlife’ starring Carey Mulligan and Jake Gyllenhaal
Cannes Review: Wanuri Kahiu’s touching if familiar lesbian romance ‘Rafiki’
Cannes Review: Asghar Farhadi’s ‘Everybody Knows’ is too safe and too slow to engage
2018 Cannes at a Glance
Cannes Podcast #1: Festival preview with guest Aaron Locke
International Press Academy Satellite Awards Nominations: ‘Sinners,’ One Battle After Another,’ ‘Hamnet’ Lead
2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND (December)
AwardsWatch Podcast Ep. 320 – The Oscar Shortlists for the 98th Academy Awards
Oscar Shortlists: ‘Sinners’ and ‘Wicked: For Good’ Net Most Mentions, ‘Sirāt’ Makes Sound Waves