Emilia Pérez has won the Best Movie About Women award from the Women Film Critic Circle (WFCC) and The Substance was named Best Movie By... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
With BAFTA giving us the last piece of the puzzles for the Animated Feature, Documentary Feature and International Feature Film races, things have changed a... Read More
With The Substance and Wicked Part 1 the only films to hit all precursors for Makeup & Hairstyling so we’re going to lock them in.... Read More
The nominations for the best screenplays of 2024 as voted on by the Writers Guild of America (WGA) have been revealed where Anora, Challengers, A... Read More
The 2025 BAFTA Film nominations were revealed this morning in London and as expected, Edward Berger’s papal thriller Conclave and Jacques Audiard’s trans crime-musical Emilia Pérez led the way with 12... Read More
The Portland Critics Association (PCA) have announced the winners of their annual awards, honoring the best films, filmmakers, actors and other achievements of 2024. Brady... Read More
Unlike many guild nominations postponements this and last week due to the ongoing fires raging through Los Angeles, across the pond the British Film Academy... Read More
Nominations have been revealed for the 2025 Irish Film & Television Academy (IFTA) Awards where the Oscar-shortlisted Irish comedy Kneecap dominated with 10 nominations including... Read More
The nominations for the 23rd Visual Effects Society Awards have been revealed and in the feature film categories Dune: Part Two leads with seven nominations... Read More
Sean Baker’s Anora was the big winner from the Houston Film Critics Society (HFCS), earning Best Picture, Best Actress (Mikey Madison) and Best Screenplay honors... Read More

2024 Women Film Critic Circle (WFCC) Winners: ‘Emilia Pérez’ ‘The Substance’ Lead
FINAL 2025 Oscar Nomination Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM
FINAL 2025 Oscar Nomination Predictions: MAKEUP & HAIRSTYLING, ORIGINAL SCORE, ORIGINAL SONG, SOUND, VISUAL EFFECTS
2025 Writers Guild of America (WGA) Nominations: ‘Challengers,’ ‘Hit Man,’ ‘Shōgun,’ ‘Ripley’ Among Nominees
2025 BAFTA Nominations: ‘Conclave’ Leads with 12, ‘Emilia Pérez’ Close with 11
2024 Portland Critics Association (PCA) Winners: ‘The Brutalist’ Tops with 10
2025 BAFTA Nomination Predictions: Expect ‘The Brutalist,’ ‘Conclave,’ ‘Emilia Pérez’ to Lead
Irish Film & Television Academy (IFTA) Nominations: ‘Kneecap’ Dominates with 10 Nods
23rd Visual Effects Society Nominations: ‘Dune: Part Two,’ ‘Kingdom of the Planet of the Apes,’ ‘Better Man’ Lead
2024 Houston Film Critics Society (HFCS) Winners: ‘Anora,’ ‘The Brutalist,’ ‘The Wild Robot’ Lead
FINAL 2026 Oscar Predictions: BEST CASTING
FINAL 2026 Oscar Predictions: ANIMATED FEATURE
AwardsWatch Podcast Ep. 326 – Recapping The Golden Globes and Last Week’s Guild Nominations
Interview: Inga Ibsdotter Lilleaas on Empathetic Storytelling and the Power of Saying “I Love You” in ‘Sentimental Value’