These are actually our first jump into predictions for Foreign Language Film even though we’ve been bouncing them around for months. With the official submission... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
[divider style=”normal” top=”20″ bottom=”20″] William Oldroyd’s Lady Macbeth led the 2017 British Independent Film nominations with a field-best 15 today. Armando Ianucci‘s The Death Of... Read More
This year, voting for Animated Feature makes a big change – everyone in the Academy can vote for nominees. This category, like Foreign Language Film... Read More
Adapted Screenplay is a weird category this year. Once you get past our predicted top 5 it’s like pulling teeth to find likely contenders. Even... Read More
‘America. They want someone to love. But they want someone to hate.’ The unbelievably true (?) story of figure skating champion Tonya Harding is on... Read More
Dunkirk stays locked onto the #1 spot in Film Editing once again. This is always an interesting category because the winner usually falls into one... Read More
Blade Runner 2049 remains a solid #1 in Production with a score of 99 this month. No changes in the 2-4 but Phantom Thread comes... Read More
The top three in Visual Effects remain the same from last month: Blade Runner 2049, War for the Planet of the Apes and Star Wars:... Read More
In our third piece analyzing this year’s indie contenders in the Animated Feature Oscar race, we focus on two interesting films. One has a very... Read More
Dunkirk still controls the Sound categories again this month and the top three in both are still: Dunkirk, Blade Runner 2049 and Star Wars: The... Read More

2018 Oscar Predictions: FOREIGN LANGUAGE FILM (November)
Lady Macbeth, Three Billboards, God’s Own Country Lead 2017 British Independent Film (BIFA) Nominations
2018 Oscar Predictions: ANIMATED FEATURE (November)
2018 Oscar Predictions: THE SCREENPLAYS (November)
The Red-Band ‘I, Tonya’ Trailer is Here
2018 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (November)
2018 Oscar Predictions: PRODUCTION DESIGN and COSTUME DESIGN (November)
2018 Oscar Predictions: VISUAL EFFECTS and MAKEUP & HAIRSTYLING (November)
2018 Oscars: Animated Feature – Analyzing the Oscar chances of indie contenders Loving Vincent and Birdboy: The Forgotten Children
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
‘Sinners’ Leads 57th NAACP Image Awards with 9 Going Into Final Night