The 82nd Golden Globe Awards were held tonight where The Brutalist, Emilia Pérez, Shōgun and Hacks topped the winners. The ceremony was held tonight live... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
The Kansas City Film Critics Circle (KCFCC) voted on 16 categories to decide the winners of the 59th Annual James Loutzenhiser Awards where the biggest winner... Read More
The Greater Western New York Film Critics Association (GWNYFCA) winners for the best in film for 2024 have been announced where Luca Guadagnino’s Challengers was... Read More
DiscussingFilm’s Global Film Critics Awards for the films of 2024 have been announced and leading the winners are Nickel Boys in Best Picture, followed by... Read More
The National Society of Film Critics (NSFC) revealed its winners for the 59th edition of the best films, filmmakers and performances of the year where... Read More
Conclave has topped the Oklahoma Film Critics Circle (OFFCC) as the Best Film of 2024, also picking up Best Director for Edward Berger, Best Actor... Read More
The 5th Set Decorators Society of America (SDSA) nominations have been announced, honoring excellence in the art of set decoration for film in the decor... Read More
Dune: Part Two, The Brutalist, Conclave, Challengers and The Substance lead the 2024 Minnesota Film Critics Association (MNFCA) nominations, all with Best Picture nods among... Read More
The Music City Film Critics’ Association (MCFCA) is proud to announce its nominations for the MCFCA 2024 Film Awards. The association is comprised of 40... Read More
The North Carolina Film Critics Association (NCFCA) unveiled the winners of its 13th Annual Best in Cinema Awards. Leading the honors, Conclave secured Best Narrative... Read More

82nd Golden Globes Winners: ‘Emilia Pérez,’ ‘The Brutalist,’ ‘Shōgun’ ‘Baby Reindeer’ Lead; Fernanda Torres Surprises in Best Actress
2024 Kansas City Film Critics Circle (KCFCC) Winners: ‘The Substance’ Rules with Best Film, Best Director, Best Actress, Supporting Actress
2024 Greater Western New York Film Critics Association (GWNYFCA) Winners: ‘Challengers’ Named Best Film
2024 DiscussingFilm Critics Awards: ‘Nickel Boys’ Wins Best Picture, ‘The Substance’ Tops with 5 Awards
2024 National Society of Film Critics (NSFC): ‘Nickel Boys’ Wins Best Picture; Marianne Jean-Baptiste Named Best Actress
2024 Oklahoma Film Critics Circle (OFCC) Winners: ‘Conclave’ Tops with Best Film, Director, Actor
5th Set Decorators Society of America (SDSA) Nominations: ‘The Substance,’ ‘The Brutalist,’ ‘Beetlejuice Beetlejuice’ and More
2024 Minnesota Film Critics Association (MNFCA) Nominations
2024 Music City Film Critics’ Association (MCFCA) Nominations
2024 North Carolina Film Critics Association (NCFCA) Winners
FINAL 2026 Oscar Predictions: BEST CASTING
FINAL 2026 Oscar Predictions: ANIMATED FEATURE
AwardsWatch Podcast Ep. 326 – Recapping The Golden Globes and Last Week’s Guild Nominations
Interview: Inga Ibsdotter Lilleaas on Empathetic Storytelling and the Power of Saying “I Love You” in ‘Sentimental Value’