Close Oscar races are the bread and butter for awards prognosticators. In cases where frontrunners are so far out ahead that 2nd place barely merits... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Unification has been the theme of this awards season if there ever was one. The dominance of Christopher Nolan’s Oppenheimer – with BAFTA, Critics Choice,... Read More
With the American Society of Cinematographers (ASC), BAFTA and Critics Choice in hand it’s a clean sweep for Oppenheimer‘s Hoyte Van Hoytema, who should easily... Read More
Despite Oppenheimer‘s eyebrow-raising loss in sound at BAFTA to The Zone of Interest, the team of Willie Burton, Richard King, Gary A. Rizzo and Kevin... Read More
It’s a clean sweep for Jennifer Lame’s cutting of Christopher Nolan’s Oppenheimer, winning the ACE Eddie, BAFTA and Critics Choice for film editing. That said,... Read More
The International Press Academy has announced the winners of its annual Satellite Awards, choosing to spread the wealth over several films with no single motion... Read More
He’s a liar. It’s his profession. Netflix today released the official trailer and new images of Ripley, the new limited series starring Andrew Scott and... Read More
Barbie was the top film winner of the 14th Guild of Music Supervisors (GMA) awards, winning best music supervision for a film budgeted over $25... Read More
The American Society of Cinematographers (ASC) revealed its 38th Outstanding Achievement Award winners in feature film, documentary, television and music video categories where Hoyte Van Hoytema won... Read More
The Motion Picture Sound Editors (MPSE) guild has revealed the winners for its 71st annual Golden Reel Awards for feature film, television, animation, computer entertainment... Read More

FINAL 2024 Oscar Predictions: BEST ACTRESS – The Race for the Final Infinity Stone
FINAL 2024 Oscar Predictions: BEST PICTURE
FINAL 2024 Oscar Predictions: CINEMATOGRAPHY
FINAL 2024 Oscar Predictions: SOUND
FINAL 2024 Oscar Predictions: FILM EDITING
28th International Press Academy Satellite Awards: ‘Oppenheimer,’ ‘The Holdovers,’ ‘Poor Things,’ ‘Maestro’ All Earn Wins
Official Trailer and Images of ‘Ripley’ Limited Series with Andrew Scott
14th Guild of Music Supervisors (GMS) Awards: ‘Barbie,’ ‘Daisy Jones and the Six’ Lead Wins
38th American Society of Cinematographers (ASC) Awards: ‘Oppenheimer’ Wins Feature Film Prize
71st Motion Picture Sound Editors (MPSE) Golden Reel Awards: ‘Oppenheimer,’ ‘Maestro,’ ‘Society of the Snow’ Top Film Wins
31st Critics Choice Awards Nominations: ‘Sinners’ Leads with 17, ‘One Battle After Another’ Earns 14
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award