Over the past twenty years, Ethan Hawke has become nearly as much a part of the Sundance culture as Robert Redford himself. From the Before... Read More
Karen Peterson
The phrase “a love letter to…” has become such a cliché that it is almost meaningless nowadays, and yet, there is no more apt description... Read More
The Sundance Film Festival has long been a place for emerging filmmakers to introduce themselves and their stories to friendly crowds who love quirky, weird... Read More
Romantic partnerships are rife with stories to tell and emotions to explore. This is why there are endless movies about them. People longing for love,... Read More
The world of modern art is enigmatic and inaccessible to some, a way of life for others. Rotating exhibitions at museums of modern art may... Read More
The moment Cooper Hoffman’s Elliot awakens with a bloody lip and wearing only a pink lacy bra and panties, it’s clear Gregg Araki’s new film... Read More
It’s hard to believe it’s been 25 years since Almost Famous made Kate Hudson an Academy Award nominee and, well, famous. In that film, Hudson... Read More
One year ago, ER alums R. Scott Gemmill and Noah Wyle reinvigorated the medical drama when The Pitt premiered on Max and became one of... Read More
As a filmmaker, Craig Brewer has often been drawn to stories of artists and dreamers. In his breakthrough 2005 Sundance hit and Hustle and Flow,... Read More
There was a time when mid-budget, mid-grade thrillers kept movie theaters in business, before the multiplexes were taken over by an uneven mix of big... Read More

‘The Weight’ Review: Ethan Hawke is Ever-Reliable in Tension-Free, Depression Era Actioner [B-] | Sundance
‘The Only Living Pickpocket in New York’ Review: John Turturro is Wonderful as a Timeless Anti-Hero with a 1970s Vibe [A-] | Sundance
‘Wicker’ Review: Olivia Colman Makes a Real Boy Out of Alexander Skarsgård in Fun, Bawdy Fable [B+] | Sundance
‘The Invite’ Review: Who’s Afraid of Olivia Wilde? [A] | Sundance
‘The Gallerist’ Review: Art Imitates Death in Cathy Yan’s Stylized and Funny Sendup on Navel Gazing Art World [B+] | Sundance
‘I Want Your Sex’ Review: Cooper Hoffman and Olivia Wilde Get Natural and Habitual in Gregg Araki’s Surprisingly Insightful Dom-Com [B+] | Sundance
Kate Hudson on Honoring Claire Sardina and Going Back to Her Musical Roots in ‘Song Sung Blue’ [VIDEO INTERVIEW]
‘The Pitt’ Season Two Review: Television’s Best Drama is Back [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]
‘The Housemaid’ Review: Going From Booktok to Big Screen Saps Thriller of Sexiness and Fun [D]
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
2026 Sundance Film Festival: ‘Josephine’ Wins Grand Jury Prize and Audience Award
Director Watch Podcast Ep. 137 – ‘Je Tu Il Elle’ (Chantal Akerman, 1974)
Midnight Critics Circle (MCC) Awards: ‘Marty Supreme’ Wins Best Picture