A trilogy first published in the 1950s, Isaac Asimov’s sprawling narrative spans millennia, follows tyrannical galactic dynasties, imagines opaque and cult-like religions, depicts advanced technology... Read More
Meghan White
Ms. White has been the Managing Editor of Cinemalogue since its founding. In addition to being an accomplished screenwriter, her editorial contributions to Cinemalogue remain the publication’s most widely read and acclaimed, including an interview with Oscar-winning screenwriter Diana Ossana and Pulitzer-winning novelist Larry McMurtry—one of only four interviews he granted in the PR cycle for BROKEBACK MOUNTAIN, the decade’s most influential film.
WARNING: this review contains major spoilers. In a previous op-ed, I bemoaned how, regardless of the intent behind their invention, superheroes no longer provide moral guidance or... Read More
As we teeter toward the death throes of a civilization choked with the excess of industry, bending beneath the rule of technocrats and oligarchs, relocating... Read More
How does one watch a movie like SHADOW IN THE CLOUD? Pretend that the gremlin is Max Landis. This will all make sense by the... Read More
In my June op-ed, about America’s growing moral dissonance systemically reinforced by the entertainment content we consume, I describe the normalization of the military industrial complex... Read More
The opening minutes of SUMMER OF 85 tells us exactly what it’s about. Filmmakers tend to play the Bury Your Gays trope for shock value,... Read More
Numerous independent studies have shown that if any given field becomes dominated by women, its inherent value becomes proportionately reduced; not simply in terms of... Read More
It would be easy to dismiss Danielle (Rachel Sennott) as a wildly self-absorbed and irresponsible college student. Out of the nest, half-settled on a “frivolous”... Read More
We rarely recognize the most formative moments in our lives at the time of their occurrence. Seeking cover during an air raid during the second... Read More
There’s a moment in Drake Doremus’ ENDINGS, BEGINNINGS that affected me deeply. Curled on her side, Shailene Woodley’s Daphne is held tight by her on-again-off-again... Read More

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Film Review: Pietro Marcello’s brilliant ‘Martin Eden’ features a breathtaking performance from Luca Marinelli
TIFF Review: ‘Shadow in the Cloud’ aims high but crashes and burns
TIFF Review: Sam Pollard’s riveting ‘MLK/FBI’ looks at Hoover’s attempt to destroy an American hero
TIFF Review: ‘Summer of 85’
TIFF Review: Femininity is synonymous with strength in ‘Lift Like a Girl’ weightlifting doc
TIFF Review: ‘Shiva Baby’
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Film Review: Drake Doremus’ ‘Endings, Beginnings’ can’t find its place
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10