Interview: Lorne Balfe on the cost of ‘Rebuilding Paradise’
Scottish composer Lorne Balfe has worked on big budget films like Mission Impossible: Fallout, Bad Boys for Life, Terminator: Genesys, and the upcoming Black Widow.... Read More
Michael Frank
Michael Frank is a film critic and journalist based in Brooklyn. He thinks the Before trilogy should be in the Louvre and once bumped into John Oliver at brunch. He has bylines in RogerEbert, Film Inquiry, The Playlist, and AwardsWatch.
Interview: Joshua Caleb Johnson on working with Ethan Hawke in ‘The Good Lord Bird’ and what he dreams of next
The Good Lord Bird, the John-Brown-inspired miniseries created by Ethan Hawke and Mark Richard, garnered attention due to Hawke’s portrayal of the violent abolitionist. Skirting... Read More
Interview: Rachel Lee Goldenberg opens up about her abortion road comedy ‘Unpregnant’ and being “the keeper of so many people’s stories”
For director Rachel Lee Goldenberg, Unpregnant represents another step towards a larger audience. Beginning her career in straight-to-video B-movies, Goldenberg always is working, directing over... Read More
Interview: Thomas Brodie-Sangster (‘The Queen’s Gambit’) on the Sex Pistols and Scott Frank’s chess skills
Thomas Brodie-Sangster broke onto the acting scene when he was just a kid, becoming known as the cute tyke from Love Actually with a crush... Read More
SXSW Review: ‘Women Is Losers’ aims high but falls short despite winning performance from Lorenza Izzo
Set in 1960s and 1970s San Francisco, Women Is Losers, cannot be faulted for its ambition. With a higher production value than most first features,... Read More
SXSW Review: ‘I’m Fine (Thanks for Asking)’ is just, well, fine
Set during, yet never mentioning, the ongoing pandemic, I’m Fine (Thanks for Asking) follows widowed Danny (Kelley Kali), mother of a young daughter named Wes... Read More
SXSW Review: A weaker strain in the era of the COVID comedy, ‘Recovery’ doesn’t commit to the heart of the joke
Written by and starring Mallory Everton and Whitney Call, Recovery doesn’t make any mistake about its time and place. Set in the beginning stages of... Read More
SXSW Review: ‘The Fallout’ explores teenage grief with a gentle hand
In an ideal, much safer world, Megan Park’s The Fallout wouldn’t need to exist. Winner of the SXSW Narrative Feature Competition, The Fallout follows high... Read More
SXSW Review: ‘Language Lessons’ finds humanity over laptop screens
Familiarity surrounds Language Lessons, an 80-minute examination of a friendship between a Spanish teacher and her student. Natalie Morales, in her directorial debut, comes with... Read More
NYFF Review: Middling modernist myth-making in ‘Atarrabi and Mikelats’
French filmmaker Eugène Green, like many directors, has a distinct style. His characters speak directly to the camera. They stand in the center of the... Read More
2024 Camerimage Film Festival: Danish Oscar Entry ‘The Girl With the Needle’ Wins Golden Frog 
Interview: ‘Gladiator II’ Cinematographer John Mathieson on Reuniting with Ridley Scott and Continuing the Legacy and Lore 
Interview: Alan Menken and Glenn Slater on Creating the Songs and Score for ‘Spellbound’ and the “Perfectly” Cast Rachel Zegler 
2025 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (November)