‘Chevalier’ review: Stephen Williams’ sumptuous story of a long-forgotten historical figure is brought to life by a charismatic Kelvin Harrison Jr. [B+] | Toronto
Joseph Bologne, also known as Chevalier de Saint-Georges, was a brilliant composer, artist, and military man who has been largely lost in time. Considered the... Read More
Nicole Ackman
‘Emily’ review: Emma Mackey breathes life into Frances O’Connor’s passionate and incredibly fitting biopic of Emily Brontë [A-] | Toronto
In her editor’s note to the novel Wuthering Heights, Charlotte Brontë described the book as “moorish, and wild, and knotty as a root of heath.”... Read More
‘Luck’ review: Black cats, leprechauns and a lovelorn dragon can’t rescue Apple’s animated magical mess [C]
AppleTV+ is about to release its first animated film since 2020’s Wolfwalkers. Unfortunately, Skydance Animation’s Luck isn’t quite the masterpiece that the international Cartoon Saloon... Read More
‘The Gray Man’ review: The Russo brothers continue to struggle to find their footing in a post-MCU world [C-]
Joe and Anthony Russo can’t figure out how to transition out of working in the Marvel Cinematic Universe. Saying that their first post-MCU film Cherry... Read More
‘Persuasion’ review: Netflix mangles and modernizes Jane Austen’s most pensive and mature novel in its new adaptation [D+]
Persuasion, published six months after the author’s death in 1817, is often considered Jane Austen’s most mature novel. 27-year-old Anne Elliot is persuaded to break... Read More
‘The Amazing Spider-Man’ retrospective: The case for Andrew Garfield as still the best Peter Parker
There’s little denying that 2021 was Andrew Garfield’s year. He starred in three Oscar-nominated films, as the embezzling evangelist Jim Bakker in The Eyes of... Read More
‘My Best Friend’s Wedding’ retrospective: The rom-com that flipped the genre on its head and cemented Julia Roberts’ status as a full-fledged star
The 1997 romantic comedy My Best Friend’s Wedding is unhinged in many ways. For starters, it begins with an opening credits musical sequence to Burt... Read More
‘Becoming Elizabeth’ review: A surprisingly serious consideration of how a queen is made [Grade: B+]
‘Becoming Elizabeth’ review: A surprisingly serious consideration of how a queen is made [Grade: B+]
The announcement of a new show about the Tudors can strike fear into the hearts of historians and Tudors fans alike. Often, when the Tudor... Read More
‘The Valet’ review: Eugenio Derbez charms in French farce remake but attempts to take on deep topics get stuck in first gear [Grade: B-]
There is a lot of discourse around foreign language films being remade for English-speaking audiences. While sometimes it feels completely unnecessary, there are times when... Read More
‘Operation Mincemeat’ review: A surprisingly light British war drama illuminates a story too fantastical to be fiction [Grade: B]
Wars have always been full of stories that are so fantastical, they can only be true. The real story behind Netflix’s new war drama Operation... Read More
2024 New York Film Critics Online (NYFCO) Winners: ‘The Substance’ Takes Best Picture, Director 
2024 Seattle Film Critics Society (SFCS) Winners: ‘The Substance’ Named Best Picture, Margaret Qualley is Best Supporting Actress 
2024 International Press Academy Satellite Awards Nominations: ‘The Brutalist,’ ‘Shōgun’ Lead 
2024 Phoenix Film Critics Society (PFCS) Winners: ‘Conclave’ Tops Awards Including Best Actor for Ralph Fiennes