Min Jin Lee’s sophomore novel Pachinko is a stunning book about the life of a three-generation Korean family living in Japan during World War II.... Read More
Reyzando Nawara
Reyzando Nawara is a passionate film and TV writer based in Indonesia. He’s a big fan of Mia Hansen-Løve, Alex Ross Perry, and Noah Baumbach. When he’s not busy telling people to watch Halt and Catch Fire, or at work, he likes to spend his days making sorbet and cooking.
When the first season of Never Have I Ever debuted on Netflix last year, people expected it to be a raunchy, hilarious teen rom-com with... Read More
A man-child husband. His nice, supportive wife who becomes the butt of the joke. A suburban house. A laugh track. You’ve seen it before. Plenty... Read More
The folklore of La Llorona, or also known as the weeping woman, has been told plenty of times before in movies, yet there hasn’t been... Read More
The story of class divide is not entirely new anymore in movies. Yet in Ramin Bahrani’s crime drama The White Tiger, it feels rejuvenated, mostly... Read More
Lee Isaac Chung’s fourth directorial feature Minari is, among many things, a deeply American story. It centers on a Korean immigrant family trying and struggling... Read More
Joko Anwar’s sixth directorial effort, Satan’s Slaves (2017), which was also the highest-grossing horror film in Indonesia, was deemed as one of the best and... Read More
Riz Ahmed is on a roll this year. Following his titanic, career-best performance as a drummer on a journey of accepting his loss of hearing... Read More
There’s a brilliant visual gag in Hulu’s middle-school raunchy comedy PEN15. Co-creators and lead actors Maya Erskine and Anna Konkle, both in their thirties, play... Read More
What The Boys does to deconstruct the basic tropes of superhero and comic-book formula isn’t exactly bold and new. Watchmen, both the graphic novel and... Read More

‘Pachinko’ review: Oscar-winner Youn Yuh-jung delivers a breathtaking performance in this epic tale of immigrant resilience [Grade: A-]
‘Never Have I Ever’ season 2 review: Mindy Kaling’s coming-of-age dramedy is still charming and even more life-affirming
‘Kevin Can F**k Himself’ review: Annie Murphy blows up sitcom tropes with intriguing results
Interview: Jayro Bustamante on ‘La Llorona’ and the significance of the film to Guatemalan people
Interview: Adarsh Gourav (‘The White Tiger’) on working with Ramin Bahrani and his detailed preparation for the role of Balram
Interview: Director and writer Lee Isaac Chung on ‘Minari’ and connecting to a family simply as human beings
Interview: Director Joko Anwar on the inspiration behind Indonesia’s Oscar submission ‘Impetigore’
Film Review: Riz Ahmed stuns again in ‘Mogul Mowgli,’ Bassam Tariq’s powerful exploration of cultural identity
TV Review: ‘Pen15’ season two shows the transformative power of friendship and tweens’ imagination
TV Review: ‘The Boys’ finds its momentum in a grittier and deeper second season
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10
41st Spirit Awards Nominations: ‘Peter Hujar’s Day,’ ‘Lurker,’ ‘Train Dreams’ Lead