AwardsWatch Forums’ 50 Favourite Performances of 2017
50. Ryan Gosling, BLADE RUNNER 2049 (75 points)
49. Jeremy Renner, WIND RIVER (76 points)
48. Holly Hunter, THE BIG SICK (77 points)
47. Anne Hathaway, COLOSSAL (79 points)
46. Jamie Bell, FILM STARS DON’T DIE IN LIVERPOOL (84 points)
45. Garance Marillier, RAW (86 points)
44. Tiffany Haddish, GIRLS TRIP (90 points)
43. Sally Hawkins, MAUDIE (96 points)
42. James Franco, THE DISASTER ARTIST (101 points)
41. Anne Dorval, HEAL THE LIVING (105 points)
31-40…
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
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FINAL Frontrunner Friday Oscar Predictions of the 2025/2026 Season 
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‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW 
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