Captain Phillips, Gravity Share MPSE Honors

Captain Phillips and Gravity shared the two major awards from the Motion Picture Sound Editors last night, with the former taking Dialogue and ADR and the latter winning Sound Effects and Foley. At the Oscar those are combined into a single Sound Editing category and both films are competing against each other there. The split wins does little to give us an idea of which will take the Oscar but Captain Phillips has made a run for the tech awards where Gravity was seen as a fool-proof winner. The Great Gatsby and Frozen won separate categories focusing on sound editing of music.

On the TV side, Game of Thrones, The Bridge, Breaking Bad and Sons of Anarchy took home honors.

Full list of winners:

FEATURE FILM

BEST SOUND EDITING IN FEATURE FILM – MUSIC
THE GREAT GATSBY (WARNER BROS.)
Supervising Music Editors: Jason Ruder, Tim Ryan
Music Editor: Craig Beckett

BEST SOUND EDITING IN FEATURE FILM – MUSIC, MUSICAL FEATURE
FROZEN (BUENA VISTA)
Music Editors: Earl Ghaffari, Fernand Bos, MPSE

BEST SOUND EDITING IN FEATURE FILM – DIALOGUE AND ADR
CAPTAIN PHILLIPS (COLUMBIA PICTURES)
Supervising Sound Editor: Oliver Tarney, MPSE
Supervising Dialogue Editor: Bjørn Schroeder
Supervising ADR Editor: Simon Chase
Dialogue Editor: Rob Killick

BEST SOUND EDITING IN FEATURE FILM – SOUND EFFECTS AND FOLEY
GRAVITY (WARNER BROS.)
Supervising Sound Editor: Glenn Freemantle
Sound Designer: Glenn Freemantle
Foley Artist: Nicolas Becker
Sound Design Editors: Niv Adiri, Ben Barker, Eilam Hoffman
Sound Effects Editor: Danny Freemantle
Foley Editor: Hugo Adams

BEST SOUND & MUSIC EDITING: FEATURE FILM – FOREIGN LANGUAGE
THE GRANDMASTER (THE WEINSTEIN COMPANY)
Supervising Sound Editors: Robert Mackenzie, Traithep Wongpaiboon
Sound Designers: Nopawat Likitwong, Steve Burgess
Supervising Foley Editor: John Simpson
Supervising Dialogue & ADR Editor: Gary Chen
Foley Artists: Sam Rogers, Chumnan Chuponkrang
Sound Effects Editors: James Ashton, Chris Goodes, Luke Mynot, Sam Petty,Narubett Peamyai, Ekaratt Chungsanga

BEST SOUND & MUSIC EDITING: FEATURE FILM – FOREIGN LANGUAGE
THE PAST (SONY PICTURES CLASSICS)
Supervising Sound Editor: Thomas Desjonqueres
Supervising ADR Editor: Frédérique Liebaut
Foley Artists: François Lepeuple

TELEVISION SHORT FORM

BEST SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC
GAME OF THRONES: “THE RAINS OF CASTAMERE” (HBO ENTERTAINMENT)
Supervising Music Editor: David Klotz

BEST SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC, MUSICAL
PEG + CAT: THE BEETHOVEN PROBLEM (PBS)
Supervising Music Editor: Steven Rebollido
Music Editors: J. Walter Hawkes, Daniel Mennella

BEST SOUND EDITING IN TELEVISION: SHORT FORM – DIALOGUE AND ADR
GAME OF THRONES: “THE RAINS OF CASTAMERE” (HBO ENTERTAINMENT)
Supervising Sound Editor: Tim Kimmel
Supervising Dialogue Editor: Jed Dodge
Supervising ADR Editor: Tim Hands
ADR Editors: Ruth Adelman, Martin Mahon

BEST SOUND EDITING IN TELEVISION: SHORT FORM – SOUND EFFECTS AND FOLEY
BREAKING BAD: “FELINA” (AMC)
Supervising Sound Editor: Nick Forshager
Foley Artists: Gregg Barbanell, Dominique Tabach Decaudain
Sound Effects Editors: Mark Cookson, Cormac Funge
Foley Editors: Timothy Boggs, Jeff Cranford

TELEVISION LONG FORM

BEST SOUND EDITING IN TELEVISION: LONG FORM – MUSIC, MUSICAL
HISTORY OF THE EAGLES: PART ONE (SHOWTIME) Directed by: Alison Ellwood
Music Editor: Annette Kudrak

BEST SOUND EDITING IN TELEVISION: LONG FORM – DIALOGUE & ADR
THE BRIDGE: “PILOT” (SHINE AMERICA)
Supervising Sound Editor: Mike Marchain
Supervising Dialogue/ADR Editor: Mike Marchain
Dialogue Editors: Paul Longstaffe, Charles Kolander, Robert Guastini, MPSE

BEST SOUND EDITING IN TELEVISION: LONG FORM – SOUND EFFECTS AND FOLEY
SONS OF ANARCHY: “SALVAGE” (FX NETWORK)
Supervising Sound Editor: Erich Gann
Sound Designers: Robert Costanza, Mike Dickeson
Supervising Foley Editor: Bill Bell
Foley Artists: Tim Chilton, Jill Sanders
Assistant Sound Editor: Kevin Meltcher

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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