As in Best Director, the most substantial moves up go to A24’s The Farewell and Neon’s Parasite, the latter of which enters the top 10... Read More
Predictions
Having a hard time moving the top four on my Best Director predictions anywhere at this point. Placeholders? Maybe one or two, unless they’re all... Read More
You might think that Scarlett Johansson’s “[I] should be able to play any person, or any tree, or any animal” answer to a question about... Read More
While I’m sticking with Jonathan Pryce in Fernando Meirelles’s The Pope from Netflix as my top Best Actor choice, I’m feeling better and better about... Read More
We have a new #1 in Supporting Actress and it’s Laura Dern in the new Noah Baumbach that is tentatively (possibly) now titled Marriage Story,... Read More
Although I still think if Brad Pitt goes supporting for Sony/Columbia’s Tarantino flick Once Upon a Time…in Hollywood that he’s got this in the bag,... Read More
A much, much richer category than Adapted, the sheer volume of high-level contenders in Original Screenplay this year is overwhelming. The box office may be... Read More
The Irishman (Netflix) and Ford v Ferrari (20th Century Fox) hold their positions in Adapted Screenplay this month but there’s a lot of movement elsewhere,... Read More
The Limited Series/TV Movie categories for the Primetime Emmy Awards have gone through a lot of rule changes the last few years to keep up... Read More
It’s pretty much a forgone conclusion that Game of Thrones will end its series run with another Drama Series Emmy win, and it could very... Read More